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European archives hold historical voice recordings that were produced by linguists, ethnologists and musicologists during colonial rule in African countries. While these recordings reverberate with the polyphonic echoes of colonial knowledge production, to date, acoustic collections have rarely been consulted as sources of colonial history. In this book Anette Hoffmann engages with a Southern African audio-visual collection, which is located in five different institutions across Vienna, Austria. Several recordings collected by the anthropologist Rudolf Pch in August 1908 have been retranslated for this book. These translations provide new insights into Pchs collecting expedition to the Kalahari. Pchs narrative of his heroic journey is called into question by the Naro speakers comments, which address colonial violence and criticise the research practices of the anthropologist. By attending to the spoken texts on the recordings and reconnecting them to photographs, ethnographic objects, archival documentation and Pchs travelogue, Hoffmann offers a different reading of this research trip into a war zone.triesries.
Golden Tongue: The Innocent Man that Killed Her? By: Richard Bailey On January 1, 1977, Richard’s life changed forever... On New Year’s Eve, Richard is dancing with the lady of his dreams, and spends a wonderful night of romance at the Waldorf Astoria. Then later, on February 19, 1977, in Florida, she disappears. The devastation of her disappearance is inconceivable, that twenty years later, he is accused of the Murder of Helen Brach—insanity! Helen Voorhees Brach, known as the Candy Heiress, lived a life of luxury and prestige. Her mansion in the northern suburbs of Chicago was staffed with butlers and housekeepers, but all of that couldn’t compete with her love of horses. Brach, th...
Explores the Holy Land as a critical site where Catholics sought spiritual and political legitimacy during a period of profound change.
During the Twenties, the Great White Way roared with nearly 300 book musicals. Luminaries who wrote for Broadway during this decade included Irving Berlin, George M. Cohan, Rudolf Friml, George Gershwin, Oscar Hammerstein II, Lorenz Hart, Jerome Kern, Cole Porter, Richard Rodgers, Sigmund Romberg, and Vincent Youmans, and the era’s stars included Eddie Cantor, Al Jolson, Ruby Keeler, and Marilyn Miller. Light-hearted Cinderella musicals dominated these years with such hits as Kern’s long-running Sally, along with romantic operettas that dealt with princes and princesses in disguise. Plots about bootleggers and Prohibition abounded, but there were also serious musicals, including Kern and...
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A beautifully illustrated, new edition of the best single-volume guide to Byzantine art, providing an introduction to the whole period and range of styles.
Philip Carlisle is an art buyer and a gem smuggler. Life for him is an entertaining and profitable game. While on a buying trip to the new Germany he encounters the evil of the Nazi Regime. Philip Carlisle is forced to accept that there are more important issues than money. He discovers that matching wits with the dreaded Gestapo is more challenging than fooling bored customs inspectors.
Born in Chicago in 1918, the prodigiously gifted and erudite Isaac Rosenfeld was anointed a genius upon the publication of his luminescent novel, Passage from Home and was expected to surpass even his closest friend and rival, Saul Bellow. Yet when felled by a heart attack at the age of thirty-eight, Rosenfeld had published relatively little, his life reduced to a metaphor for literary failure. In this deeply contemplative book, Steven J. Zipperstein seeks to reclaim Rosenfeld's legacy by opening up his work. Zipperstein examines for the first time the small mountain of unfinished manuscripts the writer left behind, as well as his fiercely candid journals and letters. In the process, Zipperstein unearths a turbulent life that was obsessively grounded in a profound commitment to the ideals of the writing life. Rosenfelds Lives is a fascinating exploration of literary genius and aspiration and the paradoxical power of literature to elevate and to enslave. It illuminates the cultural and political tensions of post-war America, Jewish intellectual life of the era, andmost poignantlythe struggle at the heart of any writers life.
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