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Alibis
Working across an unusually broad range of media, including painting, photography, film, drawing and sculpture, Sigmar Polke (German, 1941-2010) is widely regarded as one of the most influential and experimental artists of the post-war generation. Published in conjunction with an exhibition at The Museum of Modern Art, this richly illustrated publication provides an overview of Polke's cross-disciplinary innovations and career. It features more than 500 illustrations and 18 contributions by scholars and artists that examine the full range of Polke's exceptionally inventive oeuvre. Authors such as exhibition curators Kathy Halbreich, Mark Godfrey and Lanka Tattersall, artists John Kelsey and ...
Picasso
This text presents an in-depth examination of Picasso as a politically and socially engaged artist, from the 1940s, when he defiantly remained in Paris during the Nazi occupation, throughout the subsequent Cold War period.
Paradies und zurück
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Freischwimmer
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Sigmar Polke
In conjunction with the exhibition Alibis: Sigmar Polke, this unique evening brings together rarely seen films by Sigmar Polke and his collaborations with other filmmakers. Polke's densely layered and open ended films reflect the flood of observations that shaped his life and work. Georg and Anna Polke, Sigmar's children, have restored over two decades worth of film material, much of which was never publicly screened during Polke's lifetime. The rare films in this screening span the artist's life and work providing an insight into his studio, his daily life and family as well as his international travel and interest in other cultures. The films will be introduced by special guests from Polke's family who will discuss his relationship to film and Christof Kohlhöfer will also discuss his collaboration with Polke. -- https://www.tate.org.uk/whats-on/tate-modern/sigmar-polke-films.
The Night Birds
Jake struggles to come to grip with terrors real and imagined, including his father's bouts of depression and his own nightmares.
Poems and Prose
The historical archives of Elizabeth Hawley-for more than 40 years the meticulous chronicler of mountaineering expeditions in Nepal-are now available on this searchable CD.
Marketing to Generation X
As so-called baby boomers age, there has arisen a new generation to be categorized, characterized, analyzed, stereotyped, written about, targeted, and advertised and sold to. And apparently none of this can happen without first tagging it with a label. The name that seems to have stuck so far is "Generation X," taken from Douglas Coupland's 1991 novel. If nothing else, though, that label suggests an unknown quantity and emphasizes the fact that the most recent generation to come of age is more diverse and fragmented than any before. Undaunted, Ritchie, a past senior vice-president at advertising powerhouse McCann-Erickson and now responsible for media buying for General Motors, argues that marketers and advertisers have ignored differences between "X-er's" and "boomers," which they must now face up to or risk losing this newly dominant market. Traits belonging to this group worth noting, suggests Ritchie, are its diversity, fascination with interactivity, resistance to obvious or patronizing marketing appeals, uncertain future, and general resentfulness of the attention the previous generation received.
