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Although criticism on the medieval and Renaissance dream abounds, a strange lacuna exists in the critical literature of dream in the English Romantics. Every major Romantic poet relied frequently and explicitly on dream imagery, and Romantic poems conduct a long discussion about the meaning, power, value, and provenance of dreams. Douglas B. Wilson's book traces the wide web of connections that the Romantics wove between dreams and other expressions of consciousness: sensation, emotions, illusions, creativity, personality, and memory. Situating his study of the Wordsworthian dream between ancient interpretation and Freudian interpretation, Wilson gains a new perspective on the oneiric moment of Romanticism while liberating it from a narrowly psychoanalytic reading. Wordsworth embodies virtually all of the dream theory of his time, thus making him the perfect object of Wilson's multiple approaches to dream activity as poetic creation. - Back cover.
Robichaud charts the growth of Jones's medievalism from his earliest Pre-Raphaelite influences, showing how his commitment to modernist aesthetics transformed his vision of the Middle Ages.
'Letters from Wales stands alone as an invaluable guide to Welsh writing.' – Sam Young, Wales Arts Review 'In these columns, as impressive for their depth as they are for their intellectual breadth, Adams analyses the work of acclaimed Welsh writers ... with scholarly panache' – Joshua Rees, Buzz Magazine 'illuminating and entertaining' – Jon Gower, Nation.Cymru Since 1996, Sam Adams's 'Letter from Wales' column has been appearing in PN Review, one of the most highly-regarded UK poetry magazines, offering insight and appreciation of Welsh writing, culture and history. This landmark volume collects these letters – a quarter century of work – and offers one of the most unique, indepe...
Since the time of Freud, some of the most radical innovators within critical theory have stressed the importance of the body and its representation to the constitution of subjectivity. This book explores some of the theoretical debates surrounding the body, and assesses its value as a critical concept, through an analysis of the body’s representation both in Welsh literary texts in English, and discourse about Wales more generally. Combining psychoanalytic with more culturally orientated approaches to the body, the book offers an historically informed account of the body that analyses its role in the construction and contestation of identity at a cultural as well as individual level, contributing in a new and radical way to the rapidly expanding critical literature concerned with exploring the construction of identity in a Welsh cultural context.
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For every major feast,saint's day and commemoration in the calendars of the Anglican churches in the UK, this liturgical resource and spiritual companion offers a feast of readings that reflects the richness,depth and variety of the Christian tradition.
Writers of creative non-fiction are often expected to be able to recreate reality, to deal with, or even access, a singular truth. But the author, like any human, is not an automaton remotely tasked with capturing a life or an event. Whether we tell stories and understand them as fiction or non-fiction, or whether we draw away from these classifications, writers craft and shape writing all writing. No experience exists on a flat plane, and recounting or interpreting events will always involve some element of artistic manipulation: every instance, exchange, discussion, event is open to multiple interpretations and can be described in many ways, all of which are potentially truthful. Writing C...
The Anglo-Saxon world continues to be a source of fascination in modern culture. Its manifestations in a variety of media are here examined.