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Embodying Identity
Since the time of Freud, some of the most radical innovators within critical theory have stressed the importance of the body and its representation to the constitution of subjectivity. This book explores some of the theoretical debates surrounding the body, and assesses its value as a critical concept, through an analysis of the body’s representation both in Welsh literary texts in English, and discourse about Wales more generally. Combining psychoanalytic with more culturally orientated approaches to the body, the book offers an historically informed account of the body that analyses its role in the construction and contestation of identity at a cultural as well as individual level, contributing in a new and radical way to the rapidly expanding critical literature concerned with exploring the construction of identity in a Welsh cultural context.
Carmarthen Bay & Gower
With clear information, an overview and introduction for each walk, expertly written numbered directions, enhanced Ordance Survey maps, superb, eye-grabbing panoramic photographs, and interpretation of points of interest along the way, these guides set a new standard in reliability, clarity and ease-of-use.
Embodying Identity
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Poetry, Geography, Gender
Poetry, Geography, Gender examines how questions of place, identity and creative practice intersect in the work of some of Wales' best known contemporary poets, including Gillian Clarke, Gwyneth Lewis, Ruth Bidgood and Sheenagh Pugh. Merging traditional literary criticism with cultural-political and geographical analysis, Alice Entwistle shows how writers' different senses of relationship with Wales, its languages, history and imaginative, as well as political, geography feeds the form as well as the content of their poetry. Her innovative critical study thus takes particular interest in the ways in which author, text and territory help to inform and produce each other in the culturally complex and confident small nation that is twenty-first century Wales.
R. S. Thomas to Rowan Williams
This study places the internationally renowned poetry of two major figures, R. S. Thomas and Rowan Williams, in a new and illuminating context. It demonstrates how theological convictions are embodied in the very form and texture of poems. The book draws attention to a cultural phenomenon of European resonance, because it runs counter to established secular practice in the UK, in Western Europe and in the US.
Fight and Flight
Ron Berry (1920–97) is one of the most remarkably astute yet relatively neglected twentieth-century Rhondda writers. An avid walker, birdwatcher, ‘potcher’, sportsman and miner, Berry is the product of a distinctive Rhondda landscape; the formidable peaks of Pen Pych and Cefn Nant y Gwair were to be a continuing source of inspiration for him in his writing. His idiosyncratic viewpoints, of which there are many, are reflected in both his memoir and fiction. As the first sustained critical study of his work, this collection seeks a literal, physical and chronological ‘zooming-outwards’, from the man himself to the personal and literary geographies and communities in which he was posited, to his creative legacy.
In the Shadow of the Pulpit
Writer versus preacher: this book shows how this struggle has lain at the heart of Welsh writing and culture for the past two hundred years, intimately shaping the English language literature produced by Wales. Starting with a simple explanation of the history and character of Welsh Nonconformity, it traces the growing textual response to Nonconformity’s hegemonic cultural power from the eighteenth century onwards, culminating in twentieth-century writers’ attempts to undermine it by wresting words from the control of the pulpit. It also uncovers a whole new body of nineteenth-century fiction from Wales, and re-defines Dylan Thomas’s debt to his Nonconformist ancestors.
Edward Thomas and World Literary Studies
This book uses models of 'world literature' to present this 'quintessentially English' writer as a pioneering figure in an Anglophone Welsh literary tradition, a controversial reading that contributes to the present-day reconfiguration of cultural relations between Wales, England, Scotland
Welsh Gothic
Welsh Gothic, the first study of its kind, introduces readers to the array of Welsh Gothic literature published from 1780 to the present day. Informed by postcolonial and psychoanalytic theory, it argues that many of the fears encoded in Welsh Gothic writing are specific to the history of Welsh people, telling us much about the changing ways in which Welsh people have historically seen themselves and been perceived by others. The first part of the book explores Welsh Gothic writing from its beginnings in the last decades of the eighteenth century to 1997. The second part focuses on figures specific to the Welsh Gothic genre who enter literature from folk lore and local superstition, such as the sin-eater, cŵn Annwn (hellhounds), dark druids and Welsh witches.
