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This spectacular volume reproduces in full color some 150 pieces from the Anthony Petullo Collection, an extraordinary assemblage of paintings and drawings produced by individuals working outside the perimeter of conventional art training and traditions. Some of the pieces are fanciful, even whimsical. Others are haunting in their unembellished depiction of vulnerability and terror. Some are spare; others are crowded with figures. Some exhibit a childlike simplicity; others are almost sculpted in their precision and clarity. The thirty-six European and North American artists represented in Self-Taught and Outsider Art include a hospital janitor, a factory worker, concentration camp survivors...
Published on the occasion of an exhibition held at the Milwaukee Art Museum, Feb. 10 -May 6, 2012.
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Much has changed in the world of self-taught art since the millennium. Many of the recognized "masters" have died and new artists have emerged. Many galleries have closed but few new ones have opened, as artists and dealers increasingly sell through websites and social media. The growth and popularity of auction houses have altered the relationship between artists and collectors. In its third edition, this book provides updated information on artists, galleries, museums, auctions, organizations and publications for both experienced and aspiring collectors of self-taught, outsider and folk art. Gallery and museum entries are organized geographically and alphabetically by state and city.
A survey highlighting the many wonders of Wisconsin's visual culture traditions
The first book to give self-taught art the same degree of scholarly attention and critical thinking that mainstream art traditionally receives
Scottie Wilson (1891-1972) was a self-taught artist who achieved recognition from both the art world and the popular media. Nevertheless, he remained an outsider who lived modestly and would sell his pictures to people he met on the street for a fraction of what they sold for in galleries. Scottie Wilson: Peddler Turned Painter tells the fascinating story of this complex and enigmatic figure, presenting many new biographical details, based on extensive research, and tracing the evolution of his art. The colour plates illustrate works in various media spanning the length of Scottie's career, and this volume also includes a selection of remarkable black-and-white portraits of the artist.
What does it mean to be called an ›Outsider‹? Marion Scherr investigates structural inequalities and the myth of the Other in Western art history, examining the role of ›Outsider Art‹ in contemporary art worlds in the UK. By shifting the focus from art world professionals to those labelled ›Outsider Artists‹, she counteracts one-sided representations of them being otherworldly, raw, and uninfluenced. Instead, the artists are introduced as multi-faceted individuals in constant exchange with their social environment, employing diverse strategies in dealing with their exclusion. The book reframes their voices and artworks as complex, serious and meaningful cultural contributions, and challenges their attested Otherness in favour of a more inclusive, all-encompassing understanding of art.
Just as the term design has been going through change, growth and expansion of meaning, and interpretation in practice and education – the same can be said for design research. The traditional boundaries of design are dissolving and connections are being established with other fields at an exponential rate. Based on the proceedings from the IASDR 2017 Conference, Re:Research is an edited collection that showcases a curated selection of 83 papers – just over half of the works presented at the conference. With topics ranging from the introduction of design in the primary education sector to designing information for Artificial Intelligence systems, this book collection demonstrates the div...