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Anti-Methodism and Theological Controversy in Eighteenth-Century England
Eighteenth-century Methodism was a divisive phenomenon which attracted a torrent of printed opposition, especially from Anglican clergymen. Yet, most of these opponents have been virtually forgotten. Anti-Methodism and Theological Controversy in Eighteenth-Century England is the first large-scale examination of the theological ideas of early anti-Methodist authors.
Georgian Geographies
This text provides an interdisciplinary examination of the geographical nature of culture and society in 18th-century Britain and the British world. The book's introduction identifies the key areas of study as the geographical constitution of empire, the Enlightenment and the public sphere. These themes are explored by examining the connections between space, place and landscape in the 18th century in relation to the emergent empire in the Caribbean and north-west America, and Britain itself. Under consideration are topics such as landscape art, London's art world, geography books, mapping, the geography of erotic fiction, provincial science and the production of domestic space in the early English novel. This collection offers substantial empirical evidence and should be a valuable contribution to 18th-century studies for research and teaching staff, postgraduates and advanced undergraduate students in geography, history, literary studies, the history of art, postcolonial studies and the history of science.
White Creole Culture, Politics and Identity During the Age of Abolition
This book explores the articulation of white creole identity in Barbados during the age of abolitionism.
Imagining Methodism in Eighteenth-Century Britain
In the eighteenth century, British Methodism was an object of both derision and desire. Many popular eighteenth-century works ridiculed Methodists, yet often the very same plays, novels, and prints that cast Methodists as primitive, irrational, or deluded also betrayed a thinly cloaked fascination with the experiences of divine presence attributed to the new evangelical movement. Misty G. Anderson argues that writers, actors, and artists used Methodism as a concept to interrogate the boundaries of the self and the fluid relationships between religion and literature, between reason and enthusiasm, and between theater and belief. Imagining Methodism situates works by Henry Fielding, John Clela...
William Blake's Religious Vision
In this innovative study, Jesse challenges the prevailing view of Blake as an antinomian and describes him as a theological moderate who defended an evangelical faith akin to the Methodism of John Wesley. She arrives at this conclusion by contextualizing Blake’s works not only within Methodism, but in relation to other religious groups he addressed in his art, including the Established Church, deism, and radical religions. Further, she analyzes his works by sorting out the theological “road signs” he directed to each audience. This approach reveals Blake engaging each faction through its most prized beliefs, manipulating its own doctrines through visual and verbal guide-posts designed ...
