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Bernard Picart and the First Global Vision of Religion
In an era of intense religious conflict in Europe and ongoing exploration of the lands beyond Europe, Cérémonies et coutumes religieuses de tous les peuples du monde (1723-37) set a new agenda for thinking about faith and provided a lasting visual template for representing the world's religions. In the work's seven massive volumes, Jean Frederic Bernard and the renowned engraver Bernard Picart invited readers to view religions and their institutions as cultural practices. Bernard Picart and The First Global Vision of Religion approaches this much-cited but little-studied work from a variety of angles. Its fifteen scholarly essays examine Bernard and Picart's authorial and artistic strategies, the handling of religious difference in Cérémonies et coutumes religieuses, and the cultural context that fostered the creation of one of the most influential works of comparative religion ever published.
The Book That Changed Europe
Two French Protestant refugees in eighteenth-century Amsterdam gave the world an extraordinary work that intrigued and outraged readers across Europe. In this captivating account, Lynn Hunt, Margaret Jacob, and Wijnand Mijnhardt take us to the vibrant Dutch Republic and its flourishing book trade to explore the work that sowed the radical idea that religions could be considered on equal terms. Famed engraver Bernard Picart and author and publisher Jean Frederic Bernard produced The Religious Ceremonies and Customs of All the Peoples of the World, which appeared in the first of seven folio volumes in 1723. They put religion in comparative perspective, offering images and analysis of Jews, Cat...
Ritual Design for the Ballet Stage
The Turkish ceremony in Le Bourgeois gentilhomme has been popular with audiences for almost 350 years and remains one of the bestknown scenes of early modern French theatre. This newly researched volume spotlights the Turkish ceremony in its original technicolor, presenting numerous important discoveries that have never before been published. It shows that even in a field as thoroughly investigated as the collaboration between Molière and Lully at the court of Louis XIV, there is still much new source material to be discovered, and many new connections to be made. As the multidisciplinary essays examine the burlesque Turkish scene from a social, political, textual and iconographic view point they unearth, time and again, flaws, omissions and errors transmitted in earlier scholarship. Ritual Design is a must-have volume that sets the record straight.
