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Brian Calvin
Brian Calvin's disarmingly low-key paintings explore a world populated with androgynous bohemians, skinnies in groups and trippy teenage characters coolly detached and aimlessly gazing out from a sundrenched, Southern Californian backdrop. Something of a celebration of slackerdom, they also reveal the artist's keen powers of observation, rigorous approach to his craft and attention to the formal dimensions of his medium. Calvin's highly stylized figures, flattened pallet and skewed cropping, have earned him comparison with Alex Katz and David Hockney, who he appears to be at once emulating and parodying, while simultaneously referencing music and pop-culture icons. Despite the presence of hi...
Aliza Nisenbaum
Aliza Nisenbaum is an internationally acclaimed painter best known for her bright, large-scale portraits of community groups. Inspired by the dedication of Liverpool's key workers, the artist decided to create a series of new paintings of NHS staff from Merseyside who have worked tirelessly for their community during the pandemic. In the summer of 2020, Nisenbaum contacted a few key members of Merseyside NHS staff, who agreed to sit for portraits. The staff included a professor of Outbreak Medicine, a respiratory doctor who became a father during the first wave, and a student nurse from a family of nurses who all chose to return to frontline work. Over the next few weeks, talking to them via video link from her studio in the US, Aliza Nisenbaum created a series of poignant and powerful portraits, with each sitter depicted with the things that sustained them and given them hope. This publication captures these extraordinary portraits together, and tells the stories of the sitters, revealing the impact of the pandemic on their jobs, and on their lives.
Francis Upritchard
" ... An exhibition surveying twenty years of work by New Zealand-born, London-based, artist, Francis Upritchard ..." page 6.
Anne Collier: Women with Cameras (Anonymous)
Women with Cameras (Anonymous)is a new artist's book by Anne Collier (born 1970), with a text by Hilton Als (winner of the 2017 Pulitzer Prize for Criticism), that consists of a sequence of 80 images of found amateur photographs that each depict a female subject in the act of holding a camera or taking a photograph. . Dating from the 1970s to the early 2000s, these artifacts of the pre-digital age were collected by Collier over a number of years from flea markets, thrift stores and online market places. Each of these photographs has, at some point in the recent past, been discarded by its original owner. The concept of "abandonment," of photographic images and the personal histories that they represent, is central to Women with Cameras (Anonymous), which amplifies photography's relationship with memory, melancholia and loss. The sequence of the images in Collier's book follows the format of her 35mm slide projection work Women with Cameras (Anonymous)(2016), that was recently shown to great acclaim in Tokyo, Japan, and Basel, Switzerland.
Painted Sculpture
In a radical act of transformation, Mark Grotjahn (b. Pasadena, 1968; lives and works in Los Angeles) turns an ordinary wobbly cardboard box into a precious and solid work of art: a bronze sculpture on a pedestal. With rough cutouts for mouths and eyes, cardboard rolls for noses, and corrugated surfaces, the assemblages recall primitive infantile masks. Grotjahn casts them in bronze and then paints them in a gestural expressive style with streaks of bright oil paint. Set on pinewood bases, the masks are paintings and threedimensional objects at once: not just mere combinations of two techniques but genuine hybrids, neverbeforeseen chimeras. They enrich the genealogy of modern art, and of painted sculpture more particularly, with a new facet, engaging the modernist ideas of found object, assemblage, and welded sculpture in dialogue and harking back to the masks and sculptures of classical modernism inspired by non Western art. With an essay by Mark Prince.
My Barbarian
An unprecedented look at the contemporary collective's theatrical art, charting their performances and exploring their social and creative commitments The first monographic publication on the art collective My Barbarian (Malik Gaines, Jade Gordon, and Alexandro Segade) offers new insights into the work of this singular group of performers. My Barbarian has used performance to theatricalize social issues, adapting narratives from modern plays, historical texts, and mass media; this volume accompanies a major retrospective celebrating the group's twentieth anniversary. An overview essay relates their work's formal qualities to several historical moments over this span: the club era following S...
Drawing Now
Published to accompany the exhibition held at the Museum of Modern Art QNS, New York, 17 October 2002 - 6 January 2003.
