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Artists' Techniques and Materials
  • Language: en
  • Pages: 384

Artists' Techniques and Materials

  • Categories: Art

This latest volume in the popular Guide to Imagery series discusses the materials and processes used in eight media: painting, drawing, printmaking, sculpture, mosaics, ceramics, glass, and metalwork. The book provides art enthusiasts with new insights into the creation of many of the world's great masterpieces.

An Introduction to the Making of Western Art
  • Language: en
  • Pages: 251

An Introduction to the Making of Western Art

  • Categories: Art

This book is the first introduction to Western art that not only considers how choice of materials can impact form, but also how objects in different media can alter in appearance over time, and the role of conservators in the preservation of our cultural heritage. The first four chapters cover wall and easel paintings, sculpture, drawings, and prints, from the late Middle Ages to the present day. They examine, with numerous examples, how these works have been produced, how they might have been transformed, and how efforts regarding their preservation can sometimes be misleading or result in controversy. The final two chapters look at how photography, new techniques, and modern materials prompted innovative ways of creating art in the twentieth century, and how the rapid expansion of technology in the twenty-first century has led to a revolution in how artworks are constructed and seen, generating specific challenges for collectors, curators, and conservators alike. This book is primarily directed at undergraduates interested in art history, museum studies, and conservation, but will also be of interest to a more general non-specialist audience.

Literature and Artistic Practice in Sixteenth-Century Italy
  • Language: en
  • Pages: 498

Literature and Artistic Practice in Sixteenth-Century Italy

  • Type: Book
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  • Published: 2017-01-05
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  • Publisher: BRILL

In Literature and Artistic Practice in the Sixteenth Century Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the cross-analysis of literary texts and works of art. Having traced the critical fortunes of the texts of the authors—Leonardo, Vasari, Armenini, Borghini, Lomazzo—she compares the information on drawing and painting, analysing the specific terminology, and identifying the materials and methods. Central themes of the theoretical debate—‘disegno’, ‘invenzione’, the contrast between ‘prestezza’ and ‘diligenza’, the ‘paragone’—are examined in the light of their relationship with the techniques. On the basis of scientific studies on the technical execution of paintings, works from the Capodimonte Museum, Naples are analysed as case studies.

Painting
  • Language: en
  • Pages: 128

Painting

The fine art of painting is as varied as the life from which it springs. Each artist portrays different aspects of the world. A great artist is able to take some aspect of life and give it depth and meaning. To do this, an artist will make use of the many devices common to painting. These include composition, color, form, and texture. This engaging and dazzling reference covers the elements and principles of design in painting and the various mediums, forms, imagery, subject matter, and symbolism employed, adopted, or created by the painter. Key artworks are reproduced to clarify concepts.

From Mythos to Logos
  • Language: en
  • Pages: 350

From Mythos to Logos

  • Type: Book
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  • Published: 2019-05-15
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  • Publisher: BRILL

From Mythos to Logos: Andrea Palladio, Freemasonry and the Triumph of Minerva explores how myth was used to encode architecture and frescoed interiors with insights that promote peace, freedom and kindness as ways of being in the world. The author, Michael Trevor Coughlin argues that Freemasonry took root in the Italian city of Vicenza as early as 1546, and that its precepts, conveyed through the intersection of myth and philosophy, were disseminated widely in buildings and images, as well as texts, prescribing tolerance and an understanding of the divine that exists in each and everyone.

Lonely Planet The Italian Lakes
  • Language: en
  • Pages: 453

Lonely Planet The Italian Lakes

Lonely Planet: The world's leading travel guide publisher Lonely Planet The Italian Lakes is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Tour the vineyards of Lombard, get active on Lake Garda, be awed by Milan's Duomo, 600 years in the making and now yours to explore; all with your trusted travel companion. Get to the heart of the Italian Lakes and begin your journey now! Inside Lonely Planet The Italian Lakes Travel Guide: Colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding...

Report
  • Language: en
  • Pages: 84

Report

  • Type: Book
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  • Published: 2007
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  • Publisher: Unknown

None

The Organic Artist
  • Language: en
  • Pages: 163

The Organic Artist

  • Categories: Art
  • Type: Book
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  • Published: 2015-01-15
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  • Publisher: Unknown

This is an art book which highlights the possibility of using natural, organic materials as art supplies and inspiration.

The British National Bibliography
  • Language: en
  • Pages: 2744

The British National Bibliography

  • Type: Book
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  • Published: 2009
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  • Publisher: Unknown

None

Colors of Art
  • Language: en
  • Pages: 258

Colors of Art

  • Categories: Art
  • Type: Book
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  • Published: 2022-08-30
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  • Publisher: Unknown

Colors of Art takes the reader on a journey through history via 80 carefully curated artworks and their palettes. For these pieces, color is not only a tool (like a paintbrush or a canvas) but the fundamental secret to their success. Color allows artists to express their individuality, evoke certain moods, and portray positive or negative subliminal messages. And throughout history the greatest of artists have experimented with new pigments and new technologies to lead movements and deliver masterpieces. But, as something so cardinal, we sometimes forget how poignant color palettes can be, and how much they can tell us. When Vermeer painted The Milkmaid, the amount of ultramarine he could us...