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From Mythos to Logos
From Mythos to Logos: Andrea Palladio, Freemasonry and the Triumph of Minerva explores how myth was used to encode architecture and frescoed interiors with insights that promote peace, freedom and kindness as ways of being in the world. The author, Michael Trevor Coughlin argues that Freemasonry took root in the Italian city of Vicenza as early as 1546, and that its precepts, conveyed through the intersection of myth and philosophy, were disseminated widely in buildings and images, as well as texts, prescribing tolerance and an understanding of the divine that exists in each and everyone.
From Mythos to Logos
Michael T. Coughlin theorizes the possibility of interpreting art and architectural form as an index for Logos in Early Modern Italy, while simultaneously proposing a theory about the origin of Freemasonry from a historical perspective.
It Takes What It Takes
"From a top mental conditioning coach who has transformed the lives and careers of elite athletes, Fortune 500 CEOS, and military personnel, battle-tested strategies that will give readers tools to manage negativity and achieve any goal"--
Ginny Good
A novel set in the 60's by a writer who lived through them.
The Hill Road
In a series of four interlinked novellas, four generations of an Irish farm family share unfulfilled dreams, missed opportunities, and compromised moral decisions, from a dairyman who falls for the younger sister of a woman he jilted, to a spinster who remembers her love for a soldier shattered by his World War I experiences. A first collection. Winner of the 2005 Story Prize. Reprint. 25,000 first printing.
One Goal II
Chronicles every moment of the Blackhawks' 2012-13 championship season, from the record-breaking season-opening point streak to the Game 6 victory in Boston, the championship parade and more.
Hieroglyph, Emblem, and Renaissance Pictography
Robin Raybould’s Hieroglyph, Emblem and Renaissance Pictography is the first English translation of Ludwig Volkmann’s Bilderschriften der Renaissance, the classic text which promoted the symbol as a defining cultural and literary characteristic of early modern Europe. Volkmann enumerates and describes many of the works which illustrated the contemporary obsession with hieroglyph, emblem and device, particularly those from France and Germany, thus complementing Karl Giehlow’s earlier Hieroglyphenkunde on the subject. Volkmann’s book highlights both Renaissance theories of the image as language and the symbol as an aid to an understanding of the meaning of life and the nature of God. Raybould’s translation has been described as elegant, admirable and impeccable and includes an introduction, extensive notes and several additional essays on topics relevant to the field.
The Politics of Trade and Industrial Policy in Africa
This book maps the process and political economy of policy making in Africa. It's focus on trade and industrial policy makes it unique and it will appeal to students and academics in economics, political economy, political science and African studies. Detailed case studies help the reader to understand how the process and motivation behind policy decisions can vary from country to country depending on the form of government, ethnicity and nationality and other social factors.
El Greco – The Cretan Years
Exploring all the available sources, this study, which until now was only available in Greek, presents us with an account of El Greco's life up to the time he left Crete for Italy in 1567 at the age of twenty-six, already an accomplished professional painter. Nikolaos Panagiotakes provides a thorough assessment of earlier research on Crete of the 16th century then goes on to present new conclusions on the life of El Greco deriving from the author's firsthand reading of Venetian archive material, including questions relating to his birthplace, family, name, religious affiliation, and apprenticeship as a painter. The evidence indicates that El Greco was an established professional 'master painter' earlier than had previously been thought and also that he had a family before leaving Crete, thus perhaps explaining why he did not later marry Jerónima de las Cuevas, with whom he had a son in Toledo. This work marks a valuable contribution to El Greco scholarship, particularly in its thoroughly substantiated assessment of the evidence regarding the formative years in the life of El Greco, one of the greatest of all European artists.
