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ZHE
'ZHE' (pronounced zee) is a gender-neutral pronoun – not he or she. Traveling from idyllic Harare, Zimbabwe to London’s gritty inner city; from the playfulness of childhood to the pain of adolescence; from the desire for forgiveness to self-acceptance, this humorous yet haunting drama encompasses the multiplicity of our cultural, gender and sexual identities and takes a fresh look at what makes us who we are.
The Methuen Drama Book of Modern Monologues for Men
Monologues are an essential part of every actor's toolkit. Actors need them for drama school entry, training, showcases and when auditioning for roles in the industry. Edited by Dee Cannon, author of the bestselling In-Depth Acting, this book showcases selected monologues from some of the finest modern plays by some of today's leading contemporary playwrights. The monologues contain a diverse range of quirky and memorable characters that cross cultural and historical boundaries, and comes in a brand new format, with a notes page next to each speech, acting as an actor's workbook as well as a monologue resource.
Black British Drama
Black British Drama: A Transnational Story looks afresh at the ways black theatre in Britain is connected to and informed by the spaces of Africa, the Caribbean and the USA. Michael Pearce offers an exciting new approach to reading modern and contemporary black British drama, examining plays by a range of writers including Michael Abbensetts, Mustapha Matura, Caryl Phillips, Winsome Pinnock, Kwame Kwei-Armah, debbie tucker green, Roy Williams and Bola Agbaje. Chapters combine historical documentation and discussion with close analysis to provide an in-depth, absorbing account of post-war black British drama situated within global and transnational circuits. A significant contribution to black British and black diaspora theatre studies, Black British Drama is a must-read for scholars and students in this evolving field.
Black Women Centre Stage
This book examines the political alliances that are built across the diaspora in contemporary plays written by Black women playwrights in the UK. Through the concept of creative diasporic solidarity, it offers an innovative theoretical approach to examine the ways in which the playwrights respond creatively to the violence and marginalisation of Black communities, especially Black women. This study demonstrates that theatre can act as a productive space for the ethical encounter with the Other (understood in terms of alterity, as someone different from the self) by examining the possibilities of these plays to activate the spectators’ responsibility and solidarity towards different types o...
Black British Queer Plays and Practitioners: An Anthology of Afriquia Theatre
A bold play collection representing Lesbian, Gay, Bisexual, Trans, Intersex and Queer (LGBTIQ+) experiences, from Black British perspectives, this anthology contains seven radical plays by Black writers that change the face of theatre in Britain. With an international reach connecting Africa, the Caribbean and the Diaspora, these plays address themes including same-sex love, sex, homophobia, apartheid, migration and space travel. The collection captures the historical scope and range of Black British LGBTIQ+ theatre, from the 1980s to 2021. Including a range of forms, from monologue to musicals, realist drama to club-performance, readers will journey through the development of Black Queer th...
Theatre Record
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Galatea
Was anyone undone by fire, or turned to ashes through desire? Two young trans people find love whilst escaping oppression; a shipwrecked migrant searches for his family; goddesses clash; parents fret; an alchemist brews magic and a teenage Cupid sets hearts on fire - causing chaos and near disaster. And all the while, time is running out! Galatea is an unapologetically queer tale of love, magic, and the importance of welcoming outsiders. Galatea was originally written in the 1580s by John Lyly, William Shakespeare's best-selling but now long-forgotten contemporary, inspiring Shakespeare's comedies from As You Like It to A Midsummer Night's Dream. Performed in front of Queen Elizabeth I over ...
The Big Life
Think about it. Think what you could achieve without women in your life. If all the time you spent on them, you spent on yourself. Think how much money you could save. Think how much aggravation you could avoid. Journeying over from the West Indies to England, Ferdy, Lennie, Dennis and Bernie are all eager to make successes of themselves and take full advantage of what they think The Big Life has to offer. So they pledge to abstain from women for three years. But Mary, Kathy, Zuleika and Sybil have other ideas. They know that man cannot live by bread alone! Will the men stick with their idea of The Big Life, or will Cupid have the final say? The Big Life is a brand new musical, a wonderfully upbeat story of unrequited love and a great comedy all rolled into one. It was produced at the Theatre Royal Stratford East, April 2004.
West Africa
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Mojisola Adebayo: Plays Two
'These five plays represent the diverse scope and content of Mojisola's work, and demonstrate an ongoing commitment to an artistic practice that is both stylistically innovative and politically astute.' – Lynette Goddard, from her introduction The plays collected here showcase Adebayo's varied talents through her unflinching political writing about race, gender, sex and sexuality, feminist history and politics. With settings spanning from South Africa to the Middle East, the United States, a mythical kingdom, South London and outer space, the five plays included are: I Stand Corrected: a soulful artistic response to the phenomenon of 'corrective' hate rape and murder of lesbians and trans ...
