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The Romantic Dramas of Garcia Gutierrez
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Troubadour (1836): A Chivalresque Drama in Five Acts in Prose and Verse
On March 1, 1836, a young Spanish soldier-he was four months shy of his twenty-third birthday-left his Leganes army barracks without permission to attend the premiere of his first play at Madrid's Teatro del Principe. The Troubadour (El Trovador), the object of much advance publicity, proved to be a resounding success, so much so that the unknown playwright was raucously summoned to the stage to take a bow. Unprepared for such a reception and not dressed for the occasion, Antonio Garcia Gutierrez (1813-84) accepted a coat from Ventura de la Vega, a fellow playwright, in order to look more presentable to his admiring public. If the Duke of Rivas's Don Alvaro o la fuerza del sino (which premie...
