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Essays on key aspects of cultural, religious, and intellectual life in early modern Spain.
Within just a generation or two of its arrival, print had become a ubiquitous and spirited part of Spain and Portugal’s urban cultures. It serviced an ever-expanding reading public, as well as many and varied practical quotidian needs. Its impact on society was multi-dimensional and complex, and its social reach far broader than the civic or ecclesiastical elites were ever to be entirely comfortable with. This cross-disciplinary volume of essays focuses on the maturing marketplace for print in the first half of the seventeenth century, shedding new light on some important transformations, with authors and publishers seizing opportunities available to them – negotiating the regulatory efforts of the censors, and scrambling to reconfigure their relationship with their readers.
Arts of Perception offers a new account of a key period in Spanish history and culture and a fundamental reassessment of its major writers and intellectuals, including Gracián, Quevedo, Calderón, Saavedra Fajardo, López de Vega, and Sor Juana. Reading these figures in the context of European thought and the new science, and philosophy, the study considers how they developed various ‘arts of perception’ - complex perceptual strategies designed to overcome and exploit epistemic problems to enable an individual to act effectively in the moral, political, social or religious sphere. The study takes as its subject the distinctive epistemological mentality behind such ‘arts of perceptionâ...
On Tropical Grounds develops a new approach to the avant-garde and Surrealism in Caribbean and Atlantic studies. The book examines how islands and their tropical associations figure in the cultural and political imaginaries of the Caribbean and the Atlantic, and identifies genealogies of local responses to continental fantasies of exotic insularity. Examining written and visual works that reflect on the Hispanic and Francophone Caribbean and the Canary Islands, as well as critical debates around discourses of insularity in island and metropolitan spaces, this book considers notions of ethnic purity, originality, imitation, appropriation, cosmopolitanism, and self-exoticism to challenge the i...
This book is the first modern overview of the history of historiography in Spain. It covers sources from Juan de Mariana's History of Spain, written at the end of the sixteenth century, up to current historical writings and their context. The main objective of the book is to shed light on the continuities and breaks in the ways that Spanish historians represented ideas of Spain. The concept of historiography used is wide enough to span not only academic works and institutions but also public uses of history, including the history taught in schools. The methodology employed by the author combines the tradition of studies of national identity with those of historiography. One of the key themes in the book is the role of the historical profession in Spain and its influence on national discourse from the nineteenth century onwards.
Within the framework of a global political and sanitarian crisis that broke out in March 2020, this book proposes a new contemporary look at the great pandemic of the 20th century, the Spanish flu of 1918-1919. Based on its impact in Spain, the book offers a comparative and transatlantic perspective focused on the political and cultural impact of the pandemic in Europe and Latin America. The book focuses on three aspects: the overwhelming presence of influenza between 1918 and 1920, its oblivion and its political and cultural traces in the interwar decades and even more, and its reappearance in the face of the COVID-19. These three aspects are interconnected through a comparative analysis of the crisis of liberalism and democracy of the 1920s and 1930s and the current populist wave that is affecting the world. As such, this book is of great value to those interested in social and medical history across Europe and Latin America through offering a fresh outlook on the effects of the pandemic of the 20th century in the wake of the COVID pandemic that swept across the world.
This book presents a selection of manuscripts submitted to the 2nd International Conference on Geospatial Information Sciences 2021, a virtual conference held on November 3-5, 2021. These papers were selected by the Scientific Program Committee of the Conference after a rigorous peer-review process. They represent the vast scope of the interdisciplinary research areas that characterize the Geospatial Information Sciences that is done in the discipline. It especially represents a fabulous opportunity to showcase research carried out by young Mexican researchers and showcase it to the rest of the world and enhance the growth of the sciences in the country while, at the same time, enforces them to level up with other research at the international level.
At the turn of the twentieth century, New York City philanthropist, arts patron, and scholar Archer M. Huntington became the foremost collector and face of Spanish art in the United States with the founding of the Hispanic Society of America. This organization, which served as a bridge between artists in Spain and wealthy patrons in the States, was the culmination of a lifetime of scholarship and passion for Spanish culture for Huntington, one he would grapple with throughout his public and intellectual life. In Archer M. Huntington: Founder of the Hispanic Society of America, Patricia Fernández Lorenzo offers, for the first time in English, a complete biography of Huntington, tracing his enthusiasm for Spain and the arts from his childhood, to his marriage to sculptor Anna Hyatt and his crisis of conscience in the wake of the violence of the Spanish Civil War. Drawing heavily from Archer’s correspondence and from Anna Hyatt Huntington’s papers, housed at Syracuse University, Fernández Lorenzo offers a full, deeply human portrait of one of the great patrons of Spanish art, giving a comprehensive look at Huntington’s role in defining Hispanicism in the United States.