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No Hope for Heaven, No Fear of Hell
Two family names have come to be associated with the violence that plagued Colorado County, Texas, for decades after the end of the Civil War: the Townsends and the Staffords. Both prominent families amassed wealth and achieved status, but it was their resolve to hold on to both, by whatever means necessary, including extra-legal means, that sparked the feud. Elected office was one of the paths to success, but more important was control of the sheriff’s office, which gave one a decided advantage should the threat of gun violence arise. No Hope for Heaven, No Fear of Hell concentrates on those individual acts of private justice associated with the Stafford and Townsend families. It began with an 1871 shootout in Columbus, followed by the deaths of the Stafford brothers in 1890. The second phase blossomed after 1898 with the assassination of Larkin Hope, and concluded in 1911 with the violent deaths of Marion Hope, Jim Townsend, and Will Clements, all in the space of one month.
Africa Remix
Africa remix: Contemporary art of a continent features the work of more than 85 artists from 25 countries on the African continent and the Diaspora.
The Rotarian
Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine.
Urban Safety and Security
2000.1438
Proud to be Flesh
Dedicated to an analysis of culture and politics after the net, Mute magazine has, since its inception in 1994, consistently challenged the grandiose claims of the digital revolution. This anthology offers an expansive collection of some of Mute's finest articles and is thematically organised around key contemporary issues: Direct Democracy and its Demons; Net Art to Conceptual Art and Back; I, Cyborg - Reinventing the Human; of Commoners and Criminals; Organising Horizontally; Art and/against Business; Under the Net - City and Camp; Class and Immaterial Labour; The Open Work. The result is both an impressive overview and an invaluable sourcebook of contemporary culture in its widest sense
Art World City
“Insightful . . . should be on the bookshelf of anyone interested in contemporary art on the continent of Africa, its politics, its display, its economics.” —African Arts Art World City focuses on contemporary art and artists in the city of Dakar, a famously thriving art metropolis in the West African nation of Senegal. Joanna Grabski illuminates how artists earn their livelihoods from the city’s resources, possibilities, and connections. She examines how and why they produce and exhibit their work and how they make an art scene and transact with art world mediators such as curators, journalists, critics, art lovers, and collectors from near and far. Grabski shows that Dakar-based ar...
Black African Cinema
From the proselytizing lantern slides of early Christian missionaries to contemporary films that look at Africa through an African lens, N. Frank Ukadike explores the development of black African cinema. He examines the impact of culture and history, and of technology and co-production, on filmmaking throughout Africa. Every aspect of African contact with and contribution to cinematic practices receives attention: British colonial cinema; the thematic and stylistic diversity of the pioneering "francophone" films; the effects of television on the motion picture industry; and patterns of television documentary filmmaking in "anglophone" regions. Ukadike gives special attention to the growth of...
African Arts
None
Cinemas of the Black Diaspora
This is a study of the cinematic traditions and film practices in the black Diaspora. With contributions by film scholars, film critics, and film-makers from Europe, North America and the Third World, this diverse collection provides a critical reading of film-making in the black Diaspora that challenges the assumptions of colonialist and ethnocentrist discourses about Third World, Hollywood and European cinemas. Cinemas of the Black Diaspora examines the impact on film-making of Western culture, capitalist production and distribution methods, and colonialism and the continuing neo-colonial status of the people and countries in which film-making is practiced. Organised in three parts, the st...
Stories from the Fireplace
This book is an interdisciplinary theological exploration of Haile Gerima's cinema, an Ethiopian filmmaker and storyteller who successfully translated African folkloric orality and wove other indigenous art forms into the language of cinema. Gerima's five decades legacy of Pan-African cinema embodies 'symbolic resistance' against Afro-pessimistic and stereotypical mis/disrepresentations, both manifestations of neo-colonialism. In response, he uses "camera as a weapon" to resist exotic otherness and alienation invented by conventional cinema. Through an alternative moving pictures, he depicted dignified images of Africa towards decolonising cinema and liberating the mind. His memory-films ach...
