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Twentieth-Century British Authors and the Rise of Opera in Britain
This book is the first to examine in depth the contributions of major British authors such as W. H. Auden and E. M. Forster, as critics and librettists, to the rise of British opera in the twentieth century. The perceived literary values of British authors, as much as the musical innovations of British composers, informed the aesthetic development of British opera. Indeed, British opera emerged as a simultaneously literary and musical project. Too often, operatic adaptations are compared superficially to their original sources. This is a particular problem for British opera, which has become increasingly defined artistically by the literary sophistication of its narrative sources. The resulting collaborations between literary figures and composers have crucial implications for the development of both opera and literature. Twentieth-Century British Authors and the Rise of Opera in Britain reveals the importance of this literary involvement in operatic adaptation to literature and literary studies, to music and musicology, and to cultural and theoretical studies.
Identity in Northeast Indian Literature
This book provides an in-depth analysis and critical examination of the representation of ethnic, sexual, cultural, and individual identities in selected literary works by contemporary writers from Northeast India. The book explores the complex dynamics of identity construction, sexuality, marginalisation, ethnicity, and belonging in the context of Meghalaya and Northeast India as a whole. The author analyses poetry and prose by Janice Pariat, Anjum Hasan, Kynpham Singh Nongkynrih, and other Khasi writers. These works candidly portray the turmoil afflicting contemporary Meghalaya – from insurgency and ethnic tensions to ecological threats and loss of roots as well as reconciliation, integration, and mutual understanding. Using postmodern and postcolonial literary strategies, the book depicts fluid, heterogeneous, and multifaceted notions of identity in Northeast India. An exploration of ethnicity, belonging, and unbelonging in the Northeastern context, this book presents marginalised voices and liminal spaces. It will be of interest to academics focusing on Indian English literature, postcolonial literature, and South Asian Studies.
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Diaspora Poetics in South Asian English Writings
This volume brings together various discussions on various South Asian Diaspora writers of diverse sociopolitical backgrounds. It provides perspectives drawn from border studies, philosophical studies, and regional issues of South Asia.
Lakdhas Wikkramasinha
Bold and original poetry from a leading figure of an underrepresented anglophone tradition. Lakdhas Wikkramasinha is one of the major Sri Lankan poets of the twentieth century. Fearlessly political, “powerful and angry” (as Michael Ondaatje calls him in his memoir Running in the Family), Wikkramasinha has influenced generations of writers in Sri Lanka. Yet his work, originally self-published in limited editions, has long been inaccessible. This new volume, edited by Aparna Halpé and Ondaatje, is the first to offer a comprehensive selection of Wikkramasinha’s English poetry drawn from the original sources, most of which have never been reprinted. It is also the first to contain a repre...
Islam in Contemporary Literature
Suitable for the classroom but completely accessible to the general reader, this volume presents many of the most interesting authors writing today from an Islamic background—Kamel Daoud, Yasmine el Rashidi, Hisham Matar, Tahar Djaout, Mohsin Hamid, Hanif Kureishi, Edward Said, Driss Chaibi, Kamila Shamsie, Tahar ben Jelloun, Leila Aboulela, Abdellah Taïa, Ayaan Hirsi Ali, Hisham Matar, Eboo Patel, Reza Aslan, and Tamim Ansary, among others—who embody the various strains of Islamic interpretation and conflict. This study discusses an ongoing Reformation in Islam, focusing on the Arab Spring, the role of women and sexuality, the “clash of civilizations,” assimilation and cosmopolitanism, jihad, pluralism across cultures, free speech and apostasy. In an atmosphere of political and religious awakening, these authors search for a voice for individual rights while nations seek to restore a “disrupted destiny.” Questions of “de-Arabization” of the religion, ecumenicism, comparative modernities, and the role of literature thread themselves throughout the chapters of the book.
The Reception of Northrop Frye
The widespread opinion is that Northrop Frye’s influence reached its zenith in the 1960s and 1970s, after which point he became obsolete, his work buried in obscurity. This almost universal opinion is summed up in Terry Eagleton’s 1983 rhetorical question, "Who now reads Frye?" In The Reception of Northrop Frye, Robert D. Denham catalogues what has been written about Frye – books, articles, translations, dissertations and theses, and reviews – in order to demonstrate that the attention Frye’s work has received from the beginning has progressed at a geomantic rate. Denham also explores what we can discover once we have a fairly complete record of Frye’s reception in front of us – such as Hayden White’s theory of emplotments applied to historical writing and Byron Almén’s theory of musical narrative. The sheer quantity of what has been written about Frye reveals that the only valid response to Eagleton’s rhetorical question is "a very large and growing number," the growth being not incremental but exponential.
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