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The Secret Life of Aphra Behn
A biography of Restoration author Aphra Behn (1641?-1689), which examines her position as the first woman to earn her living from writing, with discussion of the explicitly sexual nature of Behn's plays and poetry, and her involvement in Restoration literature, politics and intrigue.
Aphra Behn and Her Female Successors
"This collection of essays casts new light at Aphra Behn's poetry, drama, prose and literary criticism. The contributors analyse her creative response to the literary theories, genres and motifs of her age and point out remarkable analogies to the writings of her female successors, some of whom have not hitherto been viewed in relation to this Restoration pioneer of female authorship. Her influence on modern writers can still be felt in texts as diverse as Virginia Woolf's Orlando, Molly Brown's historical thriller set in Restoration England, and Joan Anim-Addo's adaptation of Oroonoko."--Publisher's description.
Aphra Behn
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The Cambridge Companion to Aphra Behn
Traditionally known as the first professional woman writer in English, Aphra Behn has now emerged as one of the major figures of the Restoration. She provided more plays for the stage than any other author and greatly influenced the development of the novel with her ground-breaking fiction, especially Love-Letters between a Nobleman and his Sister and Oroonoko, the first English novel set in America. Behn's work straddles the genres: beside drama and fiction, she also excelled in poetry and she made several important translations from French libertine and scientific works. This Companion discusses and introduces her writings in all these fields and provides the critical tools with which to judge their aesthetic and historical importance. It also includes a full bibliography, a detailed chronology and a description of the known facts of her life. The Companion will be an essential tool for the study of this increasingly important writer and thinker.
Aphra Behn
A critical study of the work of Aphra Behn, one of the most inventive and original woman writers of the 17th century.
Selected Poems of Aphra Behn
This book presents a collection of the poetry of the 17th-century writer Aphra Behn. It examines the relationships between the sexes, seen from the woman's point of view. The book also includes some of Behn's translations, occasional pieces, satires, and songs.
Shakespeare, Aphra Behn and the Canon
A clear introduction to the idea of the canon, exploring the process by which certain works, and not others, receive high cultural status. The work of Shakespeare and Aphra Behn is used to illustrate and challenge this process.
From Aphra Behn to Fun Home
Theatre has long been considered a feminine interest for which women consistently purchase the majority of tickets, while the shows they are seeing typically are written and brought to the stage by men. Furthermore, the stories these productions tell are often about men, and the complex leading roles in these shows are written for and performed by male actors. Despite this imbalance, the feminist voice presses to be heard and has done so with more success than ever before. In From Aphra Behn to Fun Home: A Cultural History of Feminist Theatre, Carey Purcell traces the evolution of these important artists and productions over several centuries. After examining the roots of feminist theatre in...
APHRA BEHN (1640-1689)
It was Aphra Behn who opened up new paths for women, in their quest for an identity, to know themselves better by discovering the other. As the many books published in Britain and in the United States over the last years, this volume reveals the numerous facets of the writer, while stressing her ambiguity.
The Works of Aphra Behn (Complete)
It is perhaps not altogether easy to appreciate the multiplicity of difficulties with which the first editor of Mrs. Behn has to cope. Not only is her life strangely mysterious and obscure, but the rubbish of half-a-dozen romancing biographers must needs be cleared away before we can even begin to see daylight. Matter which had been for two centuries accepted on seemingly the soundest authority is proven false; her family name itself was, until my recent discovery, wrongly given; the very question of her portrait has its own vexed (and until now unrecognized) dilemmas. In fine there seems no point connected with our first professional authoress which did not call for the nicest investigation...
