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'All women together ought to let flowers fall upon the tomb of Aphra Behn; for it was she who earned them the right to speak their minds,' said Virginia Woolf. Yet that tomb, in Westminster Abbey, records one of the few uncontested facts about this Restoration playwright, poet, novelist and spy: the date of her death, 16 April 1689. For the rest secrecy and duplicity are almost the key to her life. She loved codes, making and breaking them; writing her life becomes a decoding of a passionate but playful woman. Janet Todd draws on documents she has rediscovered in the Dutch archives, and on Behn's own writings, to tell a story of court, diplomatic and sexual intrigue, and of the rise from hum...
This is the first study of the posthumous life of Aphra Behn, the extraordinary vicissitudes of her critical reception, and the personal vilifications of her reputation through three centuries. Beginning with the reception of Behn's work during her lifetime, which she herself helped to orchestrate by performing herself as a seductive woman, a beleaguered lady writer, and a serious intellectual, among other roles, the work ends with the late 20th-century reception of Behn, when the interest in gender, race, and class has made of her almost a postmodern writer. In the 17th century she was seen as a playwright of sexy and propagandist comedies, and attacked by those who disapproved her supposed...
Aphra Behn was England's first professional woman writer, but her status as a major author has only recently become clear. Between the seventeenth and nineteenth centuries, Behn was denigrated for her 'unwomanly' subject matter and intellectual immodesty. In the twentieth century she has been increasingly viewed as an important dramatist and poet of the Restoration and a founder of the English novel. This book sets Behn firmly in an historical context of political factions, theatre developments and colonial encounters, and includes chapters on each of the genres in which she wrote: drama, fiction, poetry and translation, and on other aspects of her life, from her publishing struggles to her involvement in American slavery. It is an important resource for those studying seventeenth-century English literature and drama, and to those interested in the development of women's writing.
Traditionally known as the first professional woman writer in English, Aphra Behn has now emerged as one of the major figures of the Restoration. She provided more plays for the stage than any other author and greatly influenced the development of the novel with her ground-breaking fiction, especially Love-Letters between a Nobleman and his Sister and Oroonoko, the first English novel set in America. Behn's work straddles the genres: beside drama and fiction, she also excelled in poetry and she made several important translations from French libertine and scientific works. This Companion discusses and introduces her writings in all these fields and provides the critical tools with which to judge their aesthetic and historical importance. It also includes a full bibliography, a detailed chronology and a description of the known facts of her life. The Companion will be an essential tool for the study of this increasingly important writer and thinker.
Aphra Behn was the first Englishwoman to earn her living from writing. This collection of critical essays explores the different genres in Behn's canon, including her plays, criticism, fiction and poetry, from a wide variety of feminist theoretical approaches.
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A critical study of the work of Aphra Behn, one of the most inventive and original woman writers of the 17th century.
It was Aphra Behn who opened up new paths for women, in their quest for an identity, to know themselves better by discovering the other. As the many books published in Britain and in the United States over the last years, this volume reveals the numerous facets of the writer, while stressing her ambiguity.