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Overzicht van werk van de in Amsterdam wonende en werkende Israëlische kunstenaar (Tel Aviv 1969).
Overzicht van de rol van migrantenkunstenaars in de Nederlandse videokunst van de afgelopen dertig jaar.
"An exhibition and catalog that presents new work by a selection of the most prominent African and African diaspora artists working in Europe and the United States" -- p. [1].
"Artists Yael Bartana and Emily Jacir were both born in 1970. Their work in video, photography and other media explores what it means to be, respectively, Israeli and Palestinian. Addressing issues of national identity, displacement and personal freedom, they are among the most impressive artists of their generation." "Lee Miller (1907-1977) has a unique place in the history of twentieth century photography. She is best known for her Surrealist infused reports for Vogue Magazine during the Second World War." "This special book, which both accompanies and is a legacy of the exhibition Wherever I Am, includes essays on Yael Bartana's work by award winning novelist Linda Grant and by curator Galit Eilat; on Emily Jacir's work by critic Tom Vanderbilt and the late Edward W. Said, a writer and intellectual of world renown; and on Lee Miller's wartime photography by David Alan Mellor, Professor of Art History at the University of Sussex." "With an introduction by Andrew Nairne, curator of Wherever I Am and Director of Modern Art Oxford, discussing the background to the exhibition, the book also includes reproductions of works by each artist, biographies and bibliographies."--BOOK JACKET.
As a multimedia artist, Dick Raaymakers (born 1930) embraces a diversity of genres and styles, from sound animations for films to "action music," never-ending vocal textures, electro-acoustic tableaux vivants and music theatre works. Raaijmakers dovetails disciplines such as the visual arts, film, literature and theatre with the universe of music.
The Cobra group, founded in 1948, was the most important avant-garde movement in European art after the Second World War. Its members, primarily artists from Copenhagen, Brussels and Amsterdam were driven by Marxist ideals and felt they were opening a new way for the art of the future. -- Back cover.
Artwork by Mark Bain, Runa Islam, Carlos Amorales, Joan Jonas, Fiona Tan. Edited by Jens Hoffman. Contributions by Jane Farver.
The "Museum of Contemporary African Art" is an art installation conceived by the artist Meschac Gaba in 1997. This book documents the first six rooms of the museum (there were to be twelve) and was published with the display of the 7th room of the museum, the Library, at the Witte de With Centre for Contemporary Art, Rotterdam in 2001.