Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Emily Jacir
This book offers one of the largest surveys of the work of artist Emily Jacir, known for her reflective works of art that are both extremely personal and acutely political. This book focuses on the award-winning artist's relationship to Europe and the Mediterranean and explores how one relates to a particular place. Incorporating historic archival material, Jacir traces Europe through its history of colonialism and trade routes, reanimating it through performative gestures. Her work offers uniquely personal revelations about Europe's culture of exile and surveillance, etymology and language, as well as the tension between figuration and abstraction in art. Jacir utilizes conceptual tools that reveal the political limitations of society, creating scenarios that erode or question communal boundaries and borders. The book includes reproductions of Jacir's works such as Material for a Film (2004-ongoing), which won the Golden Lion at the Venice Biennale, as well as stazione (2009) and Lydda Airport (2009). It also includes original essay contributions from Jean Fisher, Lorenzo Fusi, and Omar Kholeif, among others.
Emily Jacir & Susan Buck-Morss
This notebook combines photographs by Palestinian artist Emily Jacir with a text by political philosopher Susan Buck-Morss, who teaches at the City University of New York, written in response to the images and to conversations with the artist. Jacir's photographs depict the former Benedictine monastery of Breitenau, near Kassel . A prison camp in the Nazi era, it became a girl's reformatory after World War II. These images as well as other photographs taken in Kassel are accompanied by selections from the artist's diary entries, which investigate questions around the histories of the represented sites. Recalling Walter Benjamin's reading of Paul Klee's Angelus Novus, Buck-Morss' textual response unravels how truth and collective memory are established and how the inextricable relation between knowledge and power leads to the selection of what is archived and remembered. Language: English
Emily Jacir
Text by Adiana Shibli, Rasha Salt.
Belongings
Essays by Edward Said, Christian Kravagna, Stella Rollig, and John Menick. Introduction by Martin Sturm.
Great Women Artists
Five centuries of fascinating female creativity presented in more than 400 compelling artworks and one comprehensive volume The most extensive fully illustrated book of women artists ever published, Great Women Artists reflects an era where art made by women is more prominent than ever. In museums, galleries, and the art market, previously overlooked female artists, past and present, are now gaining recognition and value. Featuring more than 400 artists from more than 50 countries and spanning 500 years of creativity, each artist is represented here by a key artwork and short text. This essential volume reveals a parallel yet equally engaging history of art for an age that champions a greater diversity of voices. "Real changes are upon us, and today one can reel off the names of a number of first-rate women artists. Nevertheless, women are just getting started."—The New Yorker
Without Boundary
Is it possible to speak of a contemporary art with an Islamic difference? This question is the subject of an exhibition that brings together artists who come from the Islamic world. Tapping into certain aesthetic, political, and spiritual notions, this book seeks to highlight the nuanced reactions of each individual artist.
The Migrant Image
In The Migrant Image T. J. Demos examines the ways contemporary artists have reinvented documentary practices in their representations of mobile lives: refugees, migrants, the stateless, and the politically dispossessed. He presents a sophisticated analysis of how artists from the United States, Europe, North Africa, and the Middle East depict the often ignored effects of globalization and the ways their works connect viewers to the lived experiences of political and economic crisis. Demos investigates the cinematic approaches Steve McQueen, the Otolith Group, and Hito Steyerl employ to blur the real and imaginary in their films confronting geopolitical conflicts between North and South. He ...
All that Remains
None
Migrations, Arts and Postcoloniality in the Mediterranean
This book is focused on the transcultural memory of the Mediterranean region and the different ways it is articulated by contemporary art practices and museum projects linked to migrations, exile, diaspora and transnationality. The artistic and curatorial examples analysed in this study articulate a critical relationship between the cultural representations and the sense of heritage, property and belonging, offering the opportunity of a more problematic and stimulating vision of the preservation of the European arts, traditions and histories. Artists and projects examined include the project Porto M in Lampedusa, Zineb Sedira, Ursula Biemann, Lara Baladi, Mona Hatoum, Emily Jacir, Kader Attia and Walid Raad.
Who Cares
Foreword and essay by Doug Ashford. Introduction by Anne Pasternak.
