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“Occasionally you come across a book that does everything it claims - and then some. This is one” (Blueprint) Architects have been responsible for many of the modern furniture classics of the 20th century - Mies's Barcelona Chair, Eileen Gray's side table and Le Corbusier's chaise longue. Furniture and Architecture takes a unique look at the relationship between architects and furniture design. Focusing not only on classic mid-20th-century design i.e. Eames, Mies, Le Corbusier and Gropius, it also provides a unique insight into who will produce the next generation of classics by asking an international-array of established designers to give their tips for the top young architect-designer...
This book looks at examples of architects' designs for furniture in the Drawings Collection of the Royal Institute of British Architects. It includes drawings by Sir Charles Barry, Philip Webb and Alfred Waterhouse.
Presents a wave of designers who are applying architectural techniques to create innovative new furnishing options Furnitecture is a sourcebook exploring the furnishings, interior environments, and solutions for small spaces at the meeting point between design and architecture. The book features the work of a rising generation of designers across the globe who are starting to think about furniture in an architectural way, resulting in pieces that brilliantly transform interior spaces. Boosted by digital design and new manufacturing possibilities, furniture design that morphs into “micro architecture” is one of the most innovative fields of design today. Surveyed here are hundreds of exam...
An expanded edition of Furniture by Architects which surveys the finest furniture designed - and still produced - by more than 100 of the 20th century's leading architects, among them Charles Eames, Eileen Gray, Gerrit Rietveld and Charles Gwathmey.
Alvar Aalto (1898-1976) is the most prestigious Finnish architect of the last century, and the father of Nordic Modernism. He once said, God created paper for the purpose of drawing architecture on it. Everything else is at least for me an abuse of paper. In the U.S. Aalto's critical reception began with his design for the Finnish Pavilion at the 1939 World Fair in New York: Frank Lloyd Wright described it as a work of genius. After World War II, Aalto also designed MIT's student dormitory. Prior to this, the architect's Paimio Sanatorium (1929) and Viipuri Library (1935), both in Finland, had already attracted international praise. He was also an outstanding town planner, painter and sculpt...
Limited Edition is the new buzzword in furniture design. The demand for unique pieces is steadily increasing. With prototypes, one-offs and limited product lines, designers are celebrating a cult of individuality for all price classes. Furniture prototypes have always been an element of the industrial design process, but now they are being brought from the workshops and presented to the public as embodiments of one of the most exciting creative fields of our age. In the global village with its standardized commodities, exclusive one-offs with an artisanal flavor are turning into coveted objects. Limited furniture series satisfy the collector’s thirst for objects that dissolve the boundary between art and design. Limited Edition pursues this new phenomenon and uncovers its background in meticulous investigative essays based on the author’s ongoing interchange with key designers, gallery owners, auctioneers and manufacturers. With a rich selection of magnificent images and an attractive layout, it presents the best and most breathtaking pieces by the leading designers.
A complete monograph on the rich design archive of Bauhaus powerhouse Marcel Breuer. Though best known today for his furniture, especially his tubular steel Wassily armchair, Breuer also deserves notice for architecture of 1930s and postwar era, including UNESCO headquarters in Paris and the Whitney Museum of American Art. With personal accounts by Breuer himself, I.M. Pei and Robert F. Gatje, Breuer's former partner.
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Neglected for most of her career, Eileen Gray (1878-1976) is now regarded as one of the most important furniture designers and architects of the early 20th century and the most influential woman in those fields. Her work inspired both modernism and Art Deco. Eileen Gray was to "stand alone" throughout her career, first as a lacquer artist, then a furniture designer, and finally as an architect. At a time when other leading designers were almost all male and mostly members of one movement or another -whether a loose grouping like De Stijl in the Netherlands or a formal one such as the Congres Internationaux d'Architecture Moderne-she remained staunchly independent. Her design style was as dis...