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At last - here is a single volume authoritative history of Scottish architecture. This compact yet comprehensive account combines factual description of the vast and fertile range of visual forms and key architects in each period with a wide-ranging analysis of their social, ideological and historical context. As Scotland has often been closely involved with new trends in western architecture, this book highlights the interaction of Scottish developments with broader European and international movements. From the beginnings of the Renaissance in the 15th century right up to the 1990s ,this much-needed survey covers the entire post-medieval story in one volume.
Scotland is almost unique among smaller European nations in the distinctiveness and richness of its architectural heritage, dominated from the earliest times by monumental stone buildings. Prehistoric tombs and houses, early Christian, Romanesque and Gothic churches, medieval and Renaissance castles and palaces were followed, from the 17th century onward, under the stimulus of burgeoning wealth and power, by buildings reflecting a dazzling range of stylistic movements and forceful designers - including world-renowned names such as Robert Adam, Alexander Thomson and C. R. Mackintosh. In the 20th century, Scotland again saw distinctive developments and personalities. Miles Glendinning and Aonghus MacKechnie bring these diverse movements and architects to life, while setting them in their wider cultural context. The built environment has always been one of the central strands of Scottish identity, and this book, for the first time, sets out its story in a concise and readable form.
This architectural survey covers one of Scotland's most important periods of political and architectural change when mainstream European classicism became embedded as the cultural norm. Interposed between the decline of 'the Scottish castle' and its revival as Scotch Baronial architecture, the contributors consider both private and public/civic architecture. They showcase the architectural reflections of a Scotland finding its new elites by providing new research, analysing paradigms such as Holyrood and Hamilton Palace, as well as external reference points such as Paris tenements, Roman precedents and English parallels. Typologically, the book is broad in scope, covering the architecture and design of country estate and also the urban scene in the era before Edinburgh New Town. Steps decisively away from the 'Scottish castle' genre of architectureContextualises the work of Scotland's first well-documented grouping of major architects - including Sir William Bruce, Mr James Smith, James Gibbs and the Adam dynastyDocuments the architectural developments of a transformational period in Scottish history Beautifully illustrated throughout with 300 colour illustrations a
This volume considers Scottish architecture in the century following the Reformation. It examines how the principal social groups within Scotland responded to the stimulus of Renaissance classicism from the continent whilst retaining a distinctively Scottish style.
As the debate about Scottish independence rages on, this book takes a timely look at how Scotland's politics have been expressed in its buildings, exploring how the architecture of Scotland - in particular the constantly-changing ideal of the 'castle' - has been of great consequence to the ongoing narrative of Scottish national identity. Scotch Baronial provides a politically-framed examination of Scotland's kaleidoscopic 'castle architecture', tracing how it was used to serve successive political agendas both prior to and during the three 'unionist centuries' from the early 17th century to the 20th century. The book encompasses many of the country's most important historic buildings - from the palaces left behind by the 'lost' monarchy, to revivalist castles and the proud town halls of the Victorian age - examining their architectural styles and tracing their wildly fluctuating political and national connotations. It ends by bringing the story into the 21st century, exploring how contemporary 'neo-modernist' architecture in today's Scotland, as exemplified in the Holyrood parliament, relates to concepts of national identity in architecture over the previous centuries.
'Welcome to a journey of remarkable buildings and remarkable thoughts about these buildings, shaped as they are by deep time, modern ideas and Scottish culture. Readers are sure to see new vistas in the land of stone open before them' From the Foreword by PROFESSOR ANDREW PATRIZIO What makes Scottish architecture Scottish? What ideas drive Scottish architecture? What has modern architecture in Scotland meant to the Scots? Ever since the 'granny-tops', rattling and clanking in the wind to draw smoke up the tenemental flues from open coal fires, caught my attention as a three-year-old, architecture and its many parts, purposes, processes and procedures has fascinated me. For me, architecture has always had profound significance. 'Land of Stone' seeks to disengage widely-held conceptions of what a Scottish architecture superficially looks like and to focus on the ideas and events – philosophical, political, practical and personal – that inspired architects and their clients to create the cities, towns, villages and buildings we cherish today.
From the ambitious cathedral and abbey churches to the smaller chapels, and from the great royal palaces to the lesser towerhouses, this volume in The Architectural History of Scotland series is a study of the full range of buildings raised between the late-fourteenth and mid-sixteenth centuries. Placing Scottish architecture within its wider European context, it begins by surveying and analysing the sources of the ideas which underlay the emergence of the country's distinctive late Gothic style, before looking in detail at the individual building types. Copiously illustrated with photographs, engraving and comparative plans of building types, this is the only comprehensive reference guide to the period's architectural history, and is essential reading for both the general and scholarly reader.
The Castellated and Domestic Architecture of Scotland, From the Twelfth to the Eighteenth Century by Thomas Ross, first published in 1887, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
The Dictionary of Scottish Art and Archiecture is the most detailed reference work on Scottish art currently in existence. It is the result of 16 years of research and cataloguing, and contains over 12,000 entries. In addition to every Scottish artist who exhibited in a major Academy or Society, well-known early painters are referenced, as well as others who have influenced the development of Scottish art. The dictionary also includes architects of key buildings and town plans, leading designers, illustrators, masons and photographers.