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On The Brink Of Adolescence, Cyrus, The Narrator Of The Book, Sets Out To Explore The Biggest Of Big Cities, Full Of Unforgettable Sights And Smells, Especially The Smells Of Cooking. Ardashir Vakil S Remarkable First Novel Is About Sea And Shore, Sex And Samosas, Tennis Tournaments, Truant Afternoons And Hindi Films. Adding To The Excitement Are A Mysterious Miss Havisham-Like Maharani And Her Seductive Adopted Daughter.
Something has gone wrong with Ben's marriage to the enigmatic Priya. How has this couple come to this impasse in the middle of their lives? What are their dreams made of? What will happen to them? What has happened to London?
This unique anthology, Mirrorwork, presents thirty-two selections by Indian authors writing in English over the past half-century. Selected by Salman Rushdie and Elizabeth West, these novel excerpts, stories, and memoirs illuminate wonderful writing by authors often overlooked in the West. Chronologically arranged to reveal the development of Indian literature in English, this volume includes works by Jawaharlal Nehru, Nayantara Sahgal, Saadat Hasan Manto, G.V. Desani, Nirad C. Chaudhuri, Kamala Markandaya, Mulk Raj Anand, R.K. Narayan, Ved Mehta, Anita Desai, Ruth Prawer Jhabvala, Satyajit Ray, Salman Rushdie, Padma Perera, Upamanyu Chatterjee, Rohinton Mistry, Bapsi Sidhwa, I. Allan Sealy, Shashi Tharoor, Sara Suleri, Firdaus Kanga, Anjana Appachana, Amit Chaudhuri, Amitav Ghosh, Githa Hariharan, Gita Mehta, Vikram Seth, Vikram Chandra, Ardashir Vakil, Mukul Kesavan, Arundhati Roy, and Kiran Desai.
First published in 2003.When Amitava Kumar left Patna, India, he envisioned himself as an up-and-coming citizen of the world, leaving behind the confines of Indian traditions. Yet like the wave of exiles that preceded him, he found that once we leave our past, we are defined by it: in the U.S. he is pigeonholed by his appearance and quizzed about saris and arranged marriages. "There is no beginning that is a blank page," writes Kumar. Circling the three capitals of the Indian diaspora, Bombay-London-New York captures the contours of the expatriate experience, touching on the themes of abandonment, nostalgia, and exile that have powered some of the most prominent Indian writers today -- Naipa...
This book focuses on the fiction of four postcolonial authors: V.S. Naipaul, Anita Desai, Timothy Mo and Salman Rushdie. It argues that meals in their novels act as sites where the relationships between the individual subject and the social identities of race, class and gender are enacted. Drawing upon a variety of academic fields and disciplines — including postcolonial theory, historical research, food studies and recent attempts to rethink the concept of world literature — it dedicates a chapter to each author, tracing the literary, cultural and historical contexts in which their texts are located and exploring the ways in which food and the act of eating acquire meanings and how those meanings might clash, collide and be disputed. Not only does this book offer suggestive new readings of the work of its four key authors, but it challenges the reader to consider the significance of food in postcolonial fiction more generally.
Rohinton Mistry is an important Indian English fiction writer. He is a Parsi writer of Indian Diaspora in Canada. There are two factors which entitle him to be called Indian writer in English and his works to be studied as Indian literature in English despite the fact that he migrated to Canada in 1975 much before the publication of his first book, a short story collection Tales from Firozsha Baag in 1987. The fact that Mistry being born, brought up and educated in India his novels and most of his short stories are thoroughly Indian in theme and language are, these factors which make him an Indian writer in English.
These essays represent a selection of 40 years’ commentary on the political dimensions of cultural life. They address the entire spectrum of culture, from theories of international communication to the provision of cultural and leisure facilities at local level. As a former consultant to the Council of Europe, the author has developed a penetrating insight into the decision-making process between local authorities and citizens’ groups, which is discussed in two seminal papers from the 1980s which pioneered the concept of Cultural Democracy. In addition, the book’s close readings of novels and plays by Irish and Greek writers explore the way that all writing and forms of self-expression have a political message and repercussions.
The Oxford Studies in Postcolonial Literatures series offers stimulating and accessible introductions to definitive topics and key genres and regions within the rapidly diversifying field of postcolonial literary studies in English. It is often claimed that unlike the British novel or the novel in indigenous Indian languages, Anglophone fiction in India has no genealogy of its own. Interrogating this received idea, Priyamvada Gopal shows how the English-language or Anglophone Indian novel is a heterogeneous body of fiction in which certain dominant trends and recurrent themes are, nevertheless, discernible. It is a genre that has been distinguished from its inception by a preoccupation with ...
This volume explores the reception of Premchand’s works and his influence in the perception of India among Western cultures, especially Russian, German, French, Spanish and English. The essays in the collection also take a critical look at multiple translations of the same work (and examine how each new translation expands the work’s textuality and annexes new readership for the author) as well as representations of celluloid adaptations of Premchand’s works. An important intervention in the field of translation studies, this book will interest scholars and researchers of comparative literature, cultural studies and film studies.
This original study is the first major critical appraisal of Ireland’s post-colonial experience in relation to that of other emergent nations. The parallels between Ireland, India, Latin America, Africa and Europe establish bridges in literary and musical contexts which offer a unique insight into independence and freedom, and the ways in which they are articulated by emergent nations. They explore the master-servant relationship, the functions of narrative, and the concepts of nationalism, map-making, exile, schizophrenia, hybridity, magical realism and disillusion. The author offers many incisive answers to the question: What happens to an emerging nation after it has emerged?