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The acclaimed travel writer journeys by train across the Americas from Boston to Patagonia in this international bestselling travel memoir. Starting with a rush-hour subway ride to South Station in Boston to catch the Lake Shore Limited to Chicago, Paul Theroux takes a grand railway adventure first across the United States and then south through Mexico, Central America, and across the Andes until he winds up on the meandering Old Patagonian Express steam engine. His epic commute finally comes to a halt in a desolate land of cracked hills and thorn bushes that reaches toward Antarctica. Along the way, Theroux demonstrates how train travel can reveal “"the social miseries and scenic splendors” of a continent. And through his perceptive prose we learn that what matters most are the people he meets along the way, including the monologuing Mr. Thornberry in Costa Rica, the bogus priest of Cali, and the blind Jorge Luis Borges, who delights in having Theroux read Robert Louis Stevenson to him.
'A stunning vibrant maximalist whirlwind of a novel. Oloixarac's wit and ambition are evident on every page' Hari Kunzru Buenos Aires. The mysterious narrator, a student at the School of Philosophy, stalks a middle-aged professor, desperate to reveal that she alone understands his theories. Unable to earn his affection, she instead seduces a former guerilla and toys with him, blurring the lines between prey and predator. At the same university, bored student Kamtchowsky and her boyfriend Pabst's intellectual and sexual misadventures take them through the underground scene of Buenos Aires as they dabble in ketamine, group sex, video games and pornography. And in 1917 Africa, a Dutch anthropol...
It has become something of a critical commonplace to claim that science fiction does not actually exist in Argentina. This book puts that claim to rest by identifying and analyzing a rich body of work that fits squarely in the genre. Joanna Page explores a range of texts stretching from 1875 to the present day and across a variety of media-literature, cinema, theatre, and comics-and studies the particular inflection many common discourses of science fiction (e.g., abuse of technology by authoritarian regimes, apocalyptic visions of environmental catastrophe) receive in the Argentine context. A central aim is to historicize these texts, showing how they register and rework the contexts of the...
VCU CABELL FIRST NOVELIST AWARD FINALIST CENTER FOR FICTION FIRST NOVEL PRIZE LONGLIST “A debut novel as impressive as they come. Tough, wily, dreamlike.” —Seattle Times A decade after fleeing for his life, a man is pulled back to Argentina by an undying love. In 1976, Tomás Orilla is a medical student in Buenos Aires, where he has moved in hopes of reuniting with Isabel, a childhood crush. But the reckless passion that has long drawn him is leading Isabel ever deeper into the ranks of the insurgency fighting an increasingly oppressive regime. Tomás has always been willing to follow her anywhere, to do anything to prove himself. Yet what exactly is he proving, and at what cost to them both? It will be years before a summons back arrives for Tomás, now living as Thomas Shore in New York. It isn’t a homecoming that awaits him, however, so much as an odyssey into the past, an encounter with the ghosts that lurk there, and a reckoning with the fatal gap between who he has become and who he once aspired to be. Raising profound questions about the sometimes impossible choices we make in the name of love, Hades, Argentina is a gripping, ingeniously narrated literary debut.
A comprehensive resource that covers a period from 1788, the year Miguel Learte wrote Las aventuras de Learte, until 1990, when authors such as Osvaldo Soriano and Luisa Valenzuela published their popular novels. Also includes works which may be considered under the rubric of short novel which, in spite of their length, resemble the novel more than the short story in their basic literary conception, plot development, and narrative scope. Novels written by native Argentines and transplants are included. Annotation copyrighted by Book News, Inc., Portland, OR
An engaging and insightful guide to Argentine crime fiction since 2000. Argentina Noir offers a guide to Argentine crime fiction, with a focus on works published since the year 2000. It argues that the novela negra, or crime novel, has become the favored genre for many writers to address the social malaise brought about by changes linked to globalization and market-driven economic policies. Cynthia Schmidt-Cruz presents close readings and original interpretations of eleven novels, all set in or around Buenos Aires, and explores the ways these texts adapt major motifs, figures, and literary techniques in Hispanic crime fiction in order to give voice to wide-ranging social critiques. Schmidt-C...
By a Booker Prize nominee and an internationally bestselling author: a captivating homage to Georges Simenon, an absorbing character study and a highly original detective story. Manfred Baumann is a loner. Socially awkward and perpetually ill at ease, he spends his evenings quietly drinking and surreptitiously observing Adèle Bedeau, the sullen but alluring waitress at a drab bistro in the unremarkable small French town of Saint-Louis. But one day, she simply vanishes into thin air. When Georges Gorski, a detective haunted by his failure to solve one of his first murder cases, is called in to investigate the girl’s disappearance, Manfred’s repressed world is shaken to its core and he is forced to confront the dark secrets of his past. The Disappearance of Adèle Bedeau is a literary mystery novel that is, at heart, an engrossing psychological portrayal of an outsider pushed to the limit by his own feverish imagination.
First published in 1933, when its author was approaching forty years of age, X-Ray of the Pampas is multidimensional: part history, part essay in social psychology, part prophecy. -- Introduction.
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An undiscovered modern Argentinian classic, based on the tragic lives of the renowned Raúl Barón Biza (a wealthy politician and notorious writer) and his wife Rosa Clotilde Sabattini The Desert and Its Seed opens with a taxi ride to the hospital: Eligia’s face is disintegrating from acid thrown by her ex-husband while they signed divorce papers. Mario, her son, tries to wipe the acid from Eligia’s face, but his own fingers burn. What follows is a fruitless attempt to reconstruct Eligia’s face—first in Buenos Aires, thereafter in Milan. Mario, the narrator, becomes the shadow and witness of the reconstruction attempts to repair his mother’s outraged flesh. In this role, he must co...