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The Art of Chivalry
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Arms & Armor
Showcases selections from the Cleveland Museum of Art's collection of arms and armor along with period artworks that illustrate their use, and includes discussion of related topics, such as chivalry, the tournament, and weapons as technology and art.
The Art of Chivalry
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Arms and Armor in the Art Institute of Chicago
Written by arms and armor specialist Walter J. Karcheski, Jr., the text delves into a world where feudalism and the institution of knighthood prevailed and where arms and armor played a crucial role. Karcheski traces the development and craftsmanship of these magnificent suits and weapons throughout the centuries and discusses the armor developed for use in battle as well as that made specifically for tournaments, hunting, and pageantry. Additionally, he explores the craftsmen's guilds and the production and decoration of armor.
Arte Del Poder
The Royal Armory in Madrid, assembled at a time when the Spanish Crown was at the height of its international power, is the oldest and one of the finest and largest armories in the world, imbued with great historical, artistic, and symbolic significance. Armor drawn from the unsurpassed holdings of the Spanish Royal Armory is shown in this exhibition alongside portraits of rulers dressed in the same armor, painted by such masters as Peter Paul Rubens, Anthony van Dyck, Diego Velázquez, and Alonso Sánchez Coello. Several large and magnificent tapestries from the royal collection also depict the armor in use. Together, some 75 works illustrate the use of luxurious armor in projecting an imag...
Arms & Armor
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Art of Armor
This extraordinary publication presents, for the first time, the samurai armor collection of the Ann and Gabriel Barbier-Mueller Museum in Dallas. The Barbier-Mueller has selectively amassed these pieces of armor over the past twenty-five years, ultimately forming one of the largest and most important collections of its kind in the world. It is composed of nearly three hundred objects, several of which are considered masterpieces, including suits of armor, helmets, masks, horse armor, and weaponry. The objects date from the 12th to the 19th century, with a particularly strong focus on Edo-period armor. Offering an exciting look into the world of the samurai warrior, the book begins with an introduction by Morihiro Ogawa. Essays by prominent scholars in the field highlight topics such as the phenomenon of the warrior in Japan, the development of the samurai helmet, castle architecture, women in samurai culture, and Japanese horse armor. The book's final section consists of an extensive catalogue of objects, concentrating on 120 significant works in the collection. Lavishly illustrated in full color, each object is accompanied by an entry written by a scholar of Japanese armor.
Art, Arms and Armour
Explores the evolution of weapons design from the perspectives of art history and technology, looking at the construction, ornamentation, and uses of specific weapons and armament since medieval times.
The Last Knight
Maximilian I (1459–1519) skillfully crafted a public persona and personal mythology that eventually earned him the romantic sobriquet “Last Knight.” From the time he became duke of Burgundy at the age of eighteen until his death, his passion for the trappings and ideals of knighthood served his worldly ambitions, imaginative strategies, and resolute efforts to forge a legacy. A master of self-promotion, he ordered exceptional armor from the most celebrated armorers in Europe, as well as heroic autobiographical epics and lavish designs for prints. Indeed, Maximilian’s quest to secure his memory and expand his sphere of influence, despite chronic shortages of funds that left many of his most ambitious projects unfinished, was indomitable. Coinciding with the 500th anniversary of Maximilian’s death, this catalogue is the first to examine the masterworks that he commissioned, revealing how art and armor contributed to the construction of Maximilian’s identity and aspirations, and to the politics of Europe at the dawn of the Renaissance. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
