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Violin Dreams
  • Language: en
  • Pages: 270

Violin Dreams

“A rapturous, witty, and passionate memoir ... Violin Dreams is not only the story of a man becoming an artist, it’s a history of twentieth-century music.” — John Guare, Tony Award–winning playwright Arnold Steinhardt, for more than forty years an international soloist and the first violinist of the Guarneri String Quartet, brings warmth, wit, and fascinating insider details to the story of his lifelong obsession with the violin, that most seductive and stunningly beautiful instrument. His story is rich with vivid scenes: the terror inflicted by his early violin teachers, the sensual pleasure involved in the pursuit of the perfect violin, the charged atmosphere of high-level compet...

Indivisible by Four
  • Language: en
  • Pages: 324

Indivisible by Four

  • Type: Book
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  • Published: 2000-06-15
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  • Publisher: Macmillan

The author tells of his own development as a student, "of how he and his intrepid colleagues were converted to chamber music ... [and of how] four individualists master and then overcome the confining demands of ensemble playing."--Jacket.

Ways of Hearing
  • Language: en
  • Pages: 216

Ways of Hearing

An outstanding anthology in which notable musicians, artists, scientists, thinkers, poets, and more—from Gustavo Dudamel and Carrie Mae Weems to Ruth Bader Ginsburg and Paul Muldoon—explore the influence of music on their lives and work Contributors include: Laurie Anderson ● Jamie Barton ● Daphne A. Brooks ● Edgar Choueiri ● Jeff Dolven ● Gustavo Dudamel ● Edward Dusinberre ● Corinna da Fonseca-Wollheim ● Frank Gehry ● James Ginsburg ● Ruth Bader Ginsburg ● Jane Hirshfield ● Pico Iyer ● Alexander Kluge ● Nathaniel Mackey ● Maureen N. McLane ● Alicia Hall Moran ● Jason Moran ● Paul Muldoon ● Elaine Pagels ● Robert Pinsky ● Richard Powers ● Bria...

The Beethoven Quartet Companion
  • Language: en
  • Pages: 324

The Beethoven Quartet Companion

"Reading The Beethoven Quartet Companion made me want to listen to the quartets again from a new sociological as well as musical perspective. It is an invaluable guide not only for professional and amateur musicians but also for anyone who is curious about culture and wants to find out more."--Yo-Yo Ma "These essays are the most readable, useful, and well-informed commentary available today on these masterworks. Michael Steinberg's 'program notes' to each quartet, directed at once to the musical beginner and to the expert, are as eloquent and persuasive as popular writing about music can get. . . . His essays are followed by equally expert and accessible contributions by other masters on The...

For the End of Time
  • Language: en
  • Pages: 218

For the End of Time

The clarinetist Rebecca Rischin has written a captivating book.... Her research dispels several long-cherished myths about the 1941 premiere.... Rischin lovingly brings to life the other musicians-- tienne Pasquier, cellist; Henri Akoka, clarinetist; and Jean Le Boulaire, violinist--who played with Messiaen, the pianist at the premiere."--Alex Ross, The New Yorker "This book offers a wealth of new information about the circumstances under which the Quartet was created. Based on original interviews with the performers, witnesses to the premiere, and documents from the prison camp, this first comprehensive history of the Quartet's composition and premiere held my interest from beginning to end...

The Art of Quartet Playing
  • Language: en
  • Pages: 274

The Art of Quartet Playing

These intelligent conversations will be greeted enthusiastically not only by string players and serious musicians but also by advanced listeners. A musicologist and conductor, Blum knows from experience what crucial questions to ask about the medium and its practice. The members of the Guarneri Quartet discuss their backgrounds, training, cooperative efforts, problems with specific repertoire, and reactions to composers and conductors, as well as such detailed matters as bowing, intonation, vibrato, pizzicato, dynamics and the use of the left hand. Enhanced by hundreds of music examples and a detailed analysis of Beethoven's Opus 131, this is arguably the best book on the subject and one of the most important books on music issued in recent years. Performing Arts Book Club selection.

The Second Kind of Impossible
  • Language: en
  • Pages: 400

The Second Kind of Impossible

*Shortlisted for the 2019 Royal Society Insight Investment Science Book Prize* One of the most fascinating scientific detective stories of the last fifty years, an exciting quest for a new form of matter. “A riveting tale of derring-do” (Nature), this book reads like James Gleick’s Chaos combined with an Indiana Jones adventure. When leading Princeton physicist Paul Steinhardt began working in the 1980s, scientists thought they knew all the conceivable forms of matter. The Second Kind of Impossible is the story of Steinhardt’s thirty-five-year-long quest to challenge conventional wisdom. It begins with a curious geometric pattern that inspires two theoretical physicists to propose a ...

Managing Stage Fright
  • Language: en
  • Pages: 233

Managing Stage Fright

Managing Stage Fright: A Guide for Musicians and Music Teachers is a practical and enlightening guide to overcoming one of the most common and debilitating psychological phenomena experienced by performers. Musician, psychologist, and psychoanalyst Julie Jaffee Nagel delves deep into the causes of stage fright, and provides actionable coping strategies for musicians and music teachers that help build self-esteem and increase comfort in the glare of the spotlight.

Creative Collaboration
  • Language: en
  • Pages: 282

Creative Collaboration

What is the true nature of thinking? Can it best be understood as a solitary activity of a lone individual? This book suggests that our grasp of creativity is impoverished because we fail to recognise the vital roles that partnerships, collaborations, friendships, and communities play in our thinking, learning, and understanding.

Tales from the Locker Room
  • Language: en
  • Pages: 194

Tales from the Locker Room

One of the greatest conductors of the 20th century, George Szell led the Cleveland Orchestra from 1946 until his death in 1970. A meticulous perfectionist, Szell was known to be an autocratic taskmaster who wielded total artistic control. Under his leadership he transformed the orchestra into a world class ensemble. Tales From the Locker Room gives a rare, honest, humorous and at times brutal look at this musical genius through first hand interviews, stories, and anecdotes by members of the Cleveland Orchestra who served under him.