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Toronto & Niagara Colourguide
This fully updated edition of the Toronto & Niagara Colourguide is written entirely by knowledgeable local contributors and illustrated with more than 400 full-colour photographs. The guide explores Toronto's vibrant culture, cuisine, nightlife and shopping and provides an insider's view of the city's annual events, neighbourhoods, theatre and sports. The expanding Niagara region, a wine, food and cultural destination, is extensively covered. Like other Colourguides, this volume emphasizes cultural and heritage attractions including the recently-expanded Royal Ontario Museum and the revamped and greatly enhanced Art Gallery of Ontario. The listings section gives complete details and contact information about every attraction discussed.
Sightlines
Sightlines is an architectural term meaning what you can see from where you stand - it's a question of perspective. This collection of images and words, gathered in conjunction with the international Sightlines symposium in Edmonton, Canada, in 1997, reveals the printmaker and the print from many angles. Including more than 250 color images representing more than 120 artists and a text by more than a dozen contributors, Sightlines opens up a rare view of contemporary printmaking around the world.
Sights of Resistance
CD-ROM contains: Chapters from text -- Glossary.
P11, Painters Eleven
In 1953 eleven Canadian Abstract Expressionist artists banded together to break through the barricades of traditional art at a time when landscapes were about the only paintings collectors were buying. Hungry for recognition, raging against the art establishment that was shutting them out, they decided to form a collective, expecting they would gain more attention as a group than as solo artists. In 1954, The Painters Eleven--Jack Bush, Oscar Cahén, Hortense Gordon, Tom Hodgson, Alexandra Luke, Jock Macdonald, Ray Mead, Kazuo Nakamura, William Ronald, Harold Town and Walter Yarwood--held their first exhibition in Toronto. Initially the public response echoed the worldwide sentiments toward ...
Canadian Art
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Ancient and Indigenous Wisdom Traditions in the Americas
This book brings attention to the understudied and often overlooked question of how curricula and classroom practices might inadvertently reproduce exclusionary discourses and narratives that omit or negate particular cultures, histories, and wisdom traditions. With a focus on representations and classroom practices related especially to ancient and Indigenous wisdom traditions and cultures, it includes unique contributions from scholars studying these questions in various contexts. The book offers a range of important studies from various contexts across the Americas, including Canada, the various member nations of the Caribbean Community (CARICOM), Puerto Rico, and the United States. The v...
Aspiring to the Landscape
The idea of nature as a cultural construction has been discussed extensively in postmodern theory. Less attention, however, has been paid to the underlying motivations shaping the ideologies of nature, in particular the desire to submit to some larger order outside of oneself. Aspiring to the Landscape examines this persistent desire and how it is made manifest in contemporary landscape art. Four installations of large-scale paintings by Canadian artists Eleanor Bond, Susan Feindel, Stephen Hutchings, and Wanda Koop are the focus of Petra Halkes's study. The works vary widely in style and iconography but are drawn together by the way they invite a reflection on the troubled relationship between culture and nature and our contradictory and simultaneous longing to conquer and to succumb to nature. It is the tension between modern and postmodern interpretations of the subject of nature that makes the theory and the artwork discussed in Aspiring to the Landscape so important to contemporary Canadian culture.
Inventing Tom Thomson
An examination of Canadian identity through our cultural obsession with iconic painter Tom Thomson.
The Capital Years
The Capital Years is being published to celebrate the bicentennial anniversary of the opening of the first parliament of Upper Canada. Nine scholars have contributed to this book, which explores the daily life of the inhabitants during the time period 1792-1796 when the area served as the capital of Upper Canada. Their knowledge and expertise give the book depth and breadth of scholarship.
Abstract Painting in Canada
In the tradition of the distinguished Douglas & McIntyre art program, this lavishly illustrated and superbly printed book is a rich, readable history of abstract painting in Canada. The story begins in the 1920s with the sometimes eccentric but remarkable work, rooted in symbolism and theosophy, of pioneers such as Kathleen Munn, Bertram Brooker and Lawren Harris. Two decades later the Automatistes-Canada's first truly independent avant-garde art movement-burst onto the scene in Montreal. After the Second World War, the urge to abstraction spread across Canada, manifesting itself in significant regional movements. Vancouver painters retained a British flavour, while in Toronto, the Painters ...
