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Early Himalayan Art
Asian art expert Amy Heller traces the development of early religious as well as secular sculpture and artifacts from the rich legacy found in the countries of the Himalayas.
Himalayan art
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Himalayan Art
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Himalayan Art
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The Splendour of Himalayan Art and Culture
"The Himalayas are a source of inspiration and challenge to the researchers, intellectuals and adventurers. The lofty mountains with snow-clad peaks and lush green forests fascinate one and all. This work on the art and culture of people of the Himalayan region is fourth in sequence by the author. After Folk Art of Duggar; Ripples in the Himalayas; and Rajat Shikhron Ke Rupehle Swar, this work completes the first phase of studies of Himalayan culture. Earlier Kumaon, Garhwal, Kashmir and Ladakh Himalayas and their ranges were covered in detail. With the inclusion of Dhauladhar ranges and nearby surroundings of Kangra, Palampur, Baijnath, Mandi, Kullu, Manali, Lahaul & Spiti, Kinnaur and uppe...
Himalayan Art in 108 Objects
In this beautifully illustrated volume, the fascinating story of Tibetan, Himalayan, and Inner Asian art is illuminated through objects from the Neolithic era to today. In this beautifully illustrated volume, the fascinating story of Himalayan art is illuminated through a selection of significant objects from the Neolithic era to today. Paintings, sculptures, drawings, textiles, architectural structures, and more serve as a guide to the historical traditions, rituals, social practices, and art forms from Tibetan, Indian, Nepalese, Bhutanese, Mongolian, and Chinese regions, emphasising cross-cultural exchange with Tibet at the centre. Photographs and essays bring each object to life, introduc...
Himalayan Art
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Himalayan Art
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Himalayan Bronzes
Himalayan Bronzes focuses on a complete study of 340 medieval-period copper alloy sculptures from the Himalayan regions of Afghanistan, northern Pakistan, Kashmir, Himachal Pradesh, Nepal, and Tibet. For more than 1,500 years, artists in isolated valleys in and adjacent to the mountains of the Himalayas have created magnificent copper-based statues representing deities and spiritual leaders of the Hindu, Buddhist and Bon-Po religions. Author Chandra L. Reedy's multidisciplinary approach to the study of these statues integrates methods and techniques from art history, art conservation, geology, chemistry, statistics, archaeology, and ethnography to answer art historical and anthropological questions. Her guiding premise is that gathering and combining several types of information will result in more and better answers than any one type alone.
