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A stunning treasury of 86 full-page plates span the famed English artist's career, from Rip Van Winkle (1905) to masterworks such as Undine, A Midsummer Night’s Dream, and Wind in the Willows (1939).
"Arthur Rackham's Book of Pictures brings together a number of drawings unrelated in theme. Most of them, it is true, are drawings of the supernatural, of goblins, elves and fairies, and many are based on actual fairy tales; but there are also delightful straightforward drawings of children at the seaside or in the Broad Walk, Kensington Gardens; there is also the well-known 'Cupid's Alley' [the original of which is in the Tate Gallery], which illustrates verses by Austin Dobson, and there are subject pictures and landscapes of wide variety"--Derek Hudson, "Arthur Rackham : his life and work," page 96-98.
This book forms part of a series, dedicated to the artwork of Arthur Rackham (1867 – 1939), one of the most celebrated artists of the British Golden Age of Illustration. Over his long and illustrious career, he contributed to over 150 books, magazines and periodicals, resulting in a vast array of original artworks. Whether producing whimsical children’s images or murkier, foreboding drawings for adults, Rackham’s unique style of illustration was (and still is) admired by countless collectors, critics and the general public. For the first time, this book brings together the entirety of Rackham’s stunning images, sourced from rare and original books, in order that the modern reader m...
In celebration of Arthur Rackham’s 150th birthday, this volume features 150 of the Golden Age Illustrator’s most beautiful works. This gorgeous collection showcases a breadth of enchanting images from pioneering illustrator, Arthur Rackham. Featuring artwork from treasured classics such as A Midsummer Night’s Dream, Grimm’s Fairy Tales, and Undine, as well as his wondrous 1905 edition of Rip Van Winkle, and his final publication, The Wind in the Willows, this book is a treasure trove of Rackham’s talent. This volume would be the perfect gift for all lovers of Rackham’s art and those with an interest in the evolution of children’s book illustration.
A fascinating insight into the personality, career and work of one of the world's most collectable illustratorsFilled with enchanting pictures and authoritative textIn this fascinating book, art historian James Hamilton examines the work and life of the illustrator Arthur Rackham. Rackham's illustrations for works such as Rip Van Winkle, Peter Pan in Kensington Gardens, Alice in Wonderland and A Midsummer Night's Dream have attained the classic status of the writings themselves – indeed, in some cases they have become synonymous with them. Rackham himself, however, has previously remained a shadowy figure. As well as featuring exquisite illustrations and sketches, extracts from Rackham's correspondence and insightful commentary from James Hamilton shed new light on this much collected illustrator.
The first major biography of Arthur Rackham, this 1960 profile contains hard-to-find concept sketches and developmental work, early line illustrations, and over 30 color plates that span his entire career.
Irish Fairy Tales is a retelling of ten Irish folktales by the Irish author James Stephens. The English illustrator Arthur Rackham provided interior artwork, including numerous black and white illustrations and sixteen color plates. The stories are set in a wooded, Medieval Ireland filled with larger-than-life hunters, warriors, kings, and fairies. Many stories concern the Fianna and their captain, Fionn mac Uail, from the Fenian Cycle of Irish mythology.
Images from a broad span of Rackham's career include Alice in Wonderland, Peter Pan in Kensington Gardens, A Midsummer Night's Dream, and some rarely seen magazine work.
"The Sleeping Beauty" told by C. S. Evans and illustrated by Arthur Rackham ONCE upon a time there were a King and a Queen who were very unhappy because they had no children. Everything else that the heart could wish for was theirs. They were rich ; they lived in a wonderful palace full of the costliest treasures ; their kingdom was at peace, and their people were prosperous. Yet none of these things contented them, because they wanted a little child of their own to love and to care for, and though they had been married several years, no child had come to them. Every day the King would look at the Queen and say : " Ah, if we only had a little child," ...
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