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Sir Arthur Somervell on Music Education
These collected writings have now been prepared for publication by Gordon Cox, together with some unpublished speeches and letters, enabling musicologists and music educators to re-evaluate the significance of Somervell's contribution to the musical and educational life of his time."--Jacket.
Sensibility and English Song
This highly acclaimed study of English song is the first detailed account of an unusually fruitful interrelationship between English music and English poetry. The period covered is known as the English Musical Renaissance and runs from the last years of the nineteenth century to the Second World War. Stephen Banfield traces the late flowering of Romantic impulses in solo song during these years, surveying it from critical, analytical and historical angles. He plots the growth of the English stylistic sensibility in song in the decades leading up to the First World War, discusses in detail the plateau it reached between the wars (particularly in the 1920s), and shows how and why it declined a...
Parry to Finzi
"Each chapter begins with a discussion of its composer's song-output and of the poets and poetry he sets, and goes on to give an account of the influences on him and the hallmarks of his style; the songs are then discussed in detail, focusing on the major works. The text is illustrated with musical examples and there is a comprehensive bibliography and index"--Jacket.
The Late Victorian Folksong Revival
In The Late Victorian Folksong Revival: The Persistence of English Melody, 1878-1903, E. David Gregory provides a reliable and comprehensive history of the birth and early development of the first English folksong revival. Continuing where Victorian Songhunters, his first book, left off, Gregory systematically explores what the Late Victorian folksong collectors discovered in the field and what they published for posterity, identifying differences between the songs noted from oral tradition and those published in print. In doing so, he determines the extent to which the collectors distorted what they found when publishing the results of their research in an era when some folksong texts were ...
The Theatre
Vol. for 1888 includes dramatic directory for Feb.-Dec.; vol. for 1889 includes dramatic directory for Jan.-May.
A Clarinet Almanac
More than 60 years’ experience in playing the clarinet has led to a very personal and idiosyncratic review of the repertoire. From the point of view of being both a player and a programmer the author has endeavoured to find works for unusual combinations involving the clarinet. This book includes a few orchestral solos and several vocal works (both chamber and operatic), but it is focussed on chamber music and includes gems from the repertoire for the standard wind quintet. The clarinet features as a solo instrument, in duos with a surprisingly large variety of instruments and in mixed trios, quartets and so on to larger ensembles. During the course of one year the reader will be exposed to 366 works, probably some unfamiliar, by 245 different composers. The author hopes it will whet the appetites of students, teachers and concert organizers alike.
