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"The Man Who Couldn't Sleep" by Arthur Stringer. Published by DigiCat. DigiCat publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each DigiCat edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
From the 1890s through the 1920s, the best-selling fiction of Ralph Connor, Robert Stead, Nellie McClung, Lucy Maud Montgomery, and Arthur Stringer was internationally recognized. In this intriguing cultural history of the conception, production, and reception of popular fiction, Clarence Karr challenges the common assumption that best sellers are a conservative cultural influence, reflecting and promoting traditional values. By focusing on a society and its cultural leaders at a period when they were coming to grips with modernity, Karr provides a new perspective on popular culture and the interaction between readers and popular authors.
The man who couldnt sleep From Arthur Stringer
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Arthur John Arbuthnott Stringer (1874-1950) was a Canadian writer, primarily for films. He wrote the movie serial, The Iron Claw. 1919's The Man Who Couldn't Sleep consists of 10 adventures begun by a midnight excursion in New York City.
A 1997 bibliography of American fiction from 1901-1925.
Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine.
Female Detectives by Canadian Writers: An Eclectic Sampler
In 'Twin Tales: Are All Men Alike, and, The Lost Titian,' Arthur Stringer weaves together a compelling tapestry of narrative, blending intrigue and introspection. Whether through the penetrating social commentary of 'Are All Men Alike' or the richly textured historical pursuit within 'The Lost Titian,' Stringer's prose seamlessly melds the existential with the concrete. His writing style, a product of the transition from naturalism to modernism, probes the psychology of characters while grounding their experiences in vivid, palpable settings. The literary dualism presented in the novella collection is reminiscent of Stringer's acumen for exploring divergent themes under a unified aesthetic l...