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Power Plays
Based on ethnographic fieldwork spanning twenty years, Power Plays is the first scholarly book in English on wayang golek, the Sundanese rod-puppet theater of West Java. It is a detailed and lively account of the ways in which performers of this major Asian theatrical form have engaged with political discourses in Indonesia. Wayang golek has shaped, as well, the technological and commercial conditions of art and performance in a modernizing society. Using interviews with performers, musical transcriptions, translations of narrative and song texts, and archival materials, author Andrew N. Weintraub analyzes the shifting and flexible nature of a set of performance practices called Padalangan, ...
Puppet and Spirit: Ritual, Religion, and Performing Objects
This anthology of essays aims to explore the many types of relationships that exist between puppets, broadly speaking, and the immaterial world. The allure of the puppet goes beyond its material presence as, historically and throughout the globe, many uses of puppets and related objects have expressed and capitalized on their posited connections to other realms or ability to serve as vessels or conduits for immaterial presence. The flip side of the puppet’s troubling uncanniness is precisely the possibilities it represents for connecting to discarnate realities. Where do we see such connections? How do we describe, analyze, and theorize these relationships? The first of two volumes, this b...
Focus: Gamelan Music of Indonesia
Focus: Gamelan Music of Indonesia is an introduction to the familiar music from Southeast Asia's largest country - both as sound and cultural phenomenon. An archipelago of over 17,000 islands, Indonesia is a melting pot of Hindu, Buddhist, Islamic, Portuguese, Dutch, and British influences. Despite this diversity, it has forged a national culture, one in which music plays a significant role. Gamelan music, in particular, teaches us much about Indonesian values and modern-day life. Focus: Gamelan Music of Indonesia provides an introduction to present-day Javanese, Balinese, Cirebonese, and Sundanese gamelan music through ethnic, social, cultural, and global perspectives. Part One, Music and Southeast Asian History ̧ provides introductory materials for the study of Southeast Asian music. Part Two, Gamelan Music in Java and Bali, moves to a more focused overview of Gamelan music in Indonesia. Part Three, Focusing In, takes an in-depth look at Sundanese gamelan traditions, as well modern developments in Sundanese music and dance. The accompanying downloadable resources offer vivid examples of traditional Indonesian gamelan music.
Traditional and Ethnic Music in Indonesia
Indonesia is a country that has a diverse culture, including the art of music. From Sumatra in the west to Papua in the east, each has a unique character. Nowadays People can easily see this cultural diversity through social media in the internet network. Various traditional processions, various dances and various musical arts are scattered on the YouTube channel.Traditional and Ethnic Music in Indonesia
Wayang Golek dan Kiprah Dalang Asep Sunandar
Wayang Golek dan Kiprah Dalang Asep Sunandar
Erotic Triangles
In West Java, Indonesia, all it takes is a woman’s voice and a drum beat to make a man get up and dance. Every day, men there—be they students, pedicab drivers, civil servants, or businessmen—breach ordinary standards of decorum and succumb to the rhythm at village ceremonies, weddings, political rallies, and nightclubs. The music the men dance to varies from traditional gong ensembles to the contemporary pop known as dangdut, but they consistently dance with great enthusiasm. In Erotic Triangles, Henry Spiller draws on decades of ethnographic research to explore the reasons behind this phenomenon, arguing that Sundanese men use dance to explore and enact contradictions in their gender identities. Framing the three crucial elements of Sundanese dance—the female entertainer, the drumming, and men’s sense of freedom—as a triangle, Spiller connects them to a range of other theoretical perspectives, drawing on thinkers from Eve Kosofsky Sedgwick, Lévi-Strauss, and Freud to Euclid. By granting men permission to literally perform their masculinity, Spiller ultimately concludes, dance provides a crucial space for both reinforcing and resisting orthodox gender ideologies.
Puppet Theater in Contemporary Indonesia
Solid and accessible scholarship about a multifaceted form of art.
The Cambridge Guide to Asian Theatre
A comprehensive and authoritative single-volume reference work on the theatre arts of Asia-Oceania. Nine expert scholars provide entries on performance in twenty countries from Pakistan in the west, through India and Southeast Asia to China, Japan and Korea in the east. An introductory pan-Asian essay explores basic themes - they include ritual, dance, puppetry, training, performance and masks. The national entries concentrate on the historical development of theatre in each country, followed by entries on the major theatre forms, and articles on playwrights, actors and directors. The entries are accompanied by rare photographs and helpful reading lists.
Apa Siapa Orang Sunda
Kurangnya sumber tertulis mengenai manusia dan kebudayaan Sunda. Tidak banyak buku atau tulisan tentang sejarah, tentang kesenian dan tentang segala sesuatu yang berkenaan dengan kebudayaan Sunda—terasa sekali kurangnya kalau dibandingkan dengan literatur tentang Jawa dan Bali. Entah mengapa para sarjana asing juga sedikit sekali yang menaruh perhatian terhadap orang Sunda dan kebudayaannya. Di kalangan orang Sunda sendiri tidak ada tradisi menulis dan menyusun dokumentasi, sehingga tak heran kalau generasi belakangan merasa "pareumeun obor," kehilangan petunjuk tentang hubungan dengan nenek-moyang dan saudara-saudara sendiri. Karena itu setelah Ensiklopedi Sunda terbit (2000), segera kami merasa perlu menyusun dan menerbitkan semacam "Who's Who" tentang orang Sunda sebagai database yang membuat biodata tentang orang-orang Sunda yang memperlihatkan prestasi menonjol dalam bidangnya masing-masing. [Pustaka Jaya, Dunia Pustaka Jaya]
