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The Ambassadors: U.S.-To-Russia/Russia-To-U.S.
Russia and the United States have over two hundred years of diplomatic history and have never gone to war against each other. Here are THE AMBASSADORS who are partly responsible for this, ours to them, and theirs to us...ALL of them to date in a historical biographical book.
Getting Through
Inspirational stories of university students who triumphed over diverse challenges in their lives to get through and achieve a college degree in a rigorous subject area--Russian.
Bound by Betrayal
"Our marriage is nothing but a deal," he said looking at the girl, her green eyes met his cold silver eye, and both of them glared at each other. "For any rules you break, I will claim any part of your body," his gaze grew dangerously darker at his word. *** Ashley Harlow was at the top of the world, living the perfect and luxurious lifestyle as the legitimate daughter of the well-known Daniel Harlow. But sadly, a one-night stand put an end to that and brought her life upside down and that of her family's name to the ground. To restore his family's reputation, she was forced into marrying Damien Albrecht, a young, ruthless, obnoxious, brutal billionaire and the head of a mafia gang in exchange for her father's company. **This book contains a trigger warning. Please read with caution.**
The Renaissance of Etching
The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Postcolonial Literary Studies
Internationally recognized for its superior scholarship, Modern Fiction Studies was one of the first journals to publish articles on postcolonial studies. Since postcolonialism's inception, scholars have defined, clarified, and enriched its conceptions and theoretical development in the pages of MFS. This anthology collects the best and most important articles on postcolonial literary studies published in MFS in the past thirty years. Postcolonial Literary Studies brings together groundbreaking scholarship focusing on significant works of fiction by such writers as Chinua Achebe, J. M. Coetzee, Jamaica Kincaid, V. S. Naipaul, Arundhati Roy, Salman Rushdie, Bapsi Sidhwa, Ngugi wa Thiong'o, an...
College Hockey Guide Women's Edition
College Hockey Guide is the ultimate reference for hockey players, parents, counselors, educational consultants, coaches and administrators as they investigate scholarship and non-scholarship college hockey opportunities. Discover when and where coaches regularly scout and recruit, what traits and qualities they seek in prospective players and what they recommend for maximum development and exposure. Includes scholarship, financial aid, admission requirement, application and aid deadlines by school and coach contact information, complete player roster and analysis.
Albrecht Dürer’s material world
The painter and printmaker Albrecht Dürer is one of the most important figures of the German Renaissance. This book accompanies the first major exhibition of the Whitworth art gallery’s outstanding Dürer collection in over half a century. It offers a new perspective on Dürer as an intense observer of the worlds of manufacture, design and trade that fill his graphic art. Artworks and artefacts examined here expose understudied aspects of Dürer’s art and practice, including his attentive examination of objects of daily domestic use, his involvement in economies of local manufacture and exchange, the microarchitectures of local craft and, finally, his attention to cultures of natural and philosophical inquiry and learning.
