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The Oxford Handbook of Western Music and Philosophy
Whether regarded as a perplexing object, a morally captivating force, an ineffable entity beyond language, or an inescapably embodied human practice, music has captured philosophically inclined minds since time immemorial. In turn, musicians of all stripes have called on philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it. In this Handbook, contributors build on this legacy to conceptualize the rich interactions of Western music and philosophy as a series of meeting points between two vital spheres of human activity. They draw together key debates at the intersection of music studies and philosophy, offering a field-defining overview while also forging new paths. Chapters cover a wide range of musics and philosophies, including concert, popular, jazz, and electronic musics, and both analytic and continental philosophy.
The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century
Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, scholarly interest in music flourished in fields as disparate as philosophy and natural science, dramatically shifting the relationship between music and the academy. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected...
Sound and Affect
"Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have described as music's unique ability to arouse passions in listeners. In this timely volume, the editors seek to combine this 'affective turn' with the 'sound turn' in the humanities, which has profitably shifted attention from the visual to the aural, as well as a more recent 'philosophical turn' in music studies. Accordingly, the volume maps out a new territory for research at the intersection of music, philosophy, and sound studies. The essays i...
The Cambridge Companion to Music and Romanticism
A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.
Musicology in Ireland
This volume covers aspects of medieval and baroque organology, source studies, notation, music theory and analysis, as well as a host of historical topics.
PERSUASION
Persuasion is a novel written by a famous British writer Jane Austen. It is a story about the life of Anne Elliot, a middle daughter of baronet Sir Walter, a spender and bluffer. Due to these features of his character, he found himself in a difficult financial position. He has to rent a family estate Kellynch Hall in order to pay his debts. Meanwhile, his most smart and considerate daughter Anne goes to Uppercross to look after a sick sister. In the days of her youth she was mutually in love with Frederick Wentworth, but because of a fear of a poor marriage, “reasons of conscience” and on the insistence of a “family friend” Lady Russel Anne stopped her relationship with him. But now after eight years, some incredible coincidence happens. The family that rents Kellynch Hall is related to Frederick Wentworth. Is the old-time love still alive in the hearts of Anne and Frederick?
The Poltergeist Prince of London
It began with a key. One afternoon in 1956, in the home of the Hitchings family in Battersea, south London, a small silver key appeared on Shirley Hitchings' bed. This seemingly insignificant event heralded the beginning of one of the most terrifying, incredible and mysterious hauntings in British history. The spirit, who quickly became known as 'Donald', began to communicate, initially via tapping sounds, but over time - and with the encouragement of psychical researcher Harold Chibbett, whose case-files appear here – by learning to write. Soon, the spirit had begun to make simply incredible claims about his identity, insisting that he was one of the most famous figures in world history – but what was the truth? Here, for the first time, is the full story, told by the woman right at the heart of it all – Shirley herself.
Song of the Beauforts
This book records the exploits of the airmen of the first Australian Beaufort squadron in action in World War II. Developed as a torpedo and general reconnaissance bomber, the Beaufort was the heaviest, most powerful and most complex aircraft ever built in this country. It entered service with the Royal Australian Air Force at a time when Japanese invasion seemed imminent. As the tide of the war in the South-West Pacific turned from one mostly fought over the ocean to a land-based operation, the original squadron was joined by additional Beaufort units to form the RAAF's No 71 Wing. Employing new methods of warfare, the Beaufort crews closely supported American and Australian ground forces. Using participants' own words to describe events, from the hazards of training to the fury of offensive operations, the author vividly brings to life the bravery of the aviators and the dedication and skill of the ground crews who operated Beauforts during the protracted campaign across the South-West Pacific.
Irish Surgeons and Surgery in the Twentieth Century
A detailed history of Irish Surgeons and Surgery in the Twentieth Century.
