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The Later Prehistory of North-West Europe provides a unique, up-to-date, and easily accessible synthesis of the later prehistoric archaeology of north-west Europe, surveying changes in social forms, landscape organization, monument types, and ritual practices over six millennia.
Archaeology has long dealt with issues of identity, and especially with ethnicity, with modern approaches emphasising dynamic and fluid social construction. The archaeology of the Iron Age in particular has engendered much debate on the topic of ethnicity, fuelled by the first availability of written sources alongside the archaeological evidence which has led many researchers to associate the features they excavate with populations named by Greek or Latin writers. Some archaeological traditions have had their entire structure built around notions of ethnicity, around the relationships existing between large groups of people conceived together as forming unitary ethnic units. On the other han...
Eight papers, ranging from the Chalcolithic in Northwest Africa and Iberia to the Iron Age in Central Europe, shed light on issues as diverse as the principles of chronology building, the role of alleged ‘defensive’ enclosures, pottery studies, use-wear analysis of Iron Age weaponry and the Hallstatt/La Tène transition in the eastern Alps.
This volume of 33 papers on the Atlantic region of Western Europe in the first millennium BC reflects a diverse range of theoretical approaches, techniques, and methodologies across current research, and is an opportunity to compare approaches to the first millennium BC from different national and theoretical perspectives.
Since early discoveries of so-called Celtic Art during the 19th century, archaeologists have mused on the origins of this major art tradition, which emerged in Europe around 500 BC. Classical influence has often been cited as the main impetus for this new and distinctive way of decorating, but although Classical and Celtic Art share certain motifs, many of the design principles behind the two styles differ fundamentally. Instead, the idea that Celtic Art shares its essential forms and themes of transformation and animism with Iron Age art from across northern Eurasia has recently gained currency, partly thanks to a move away from the study of motifs in prehistoric art and towards considerati...
Includes section "Reviews."
The first in-depth study of the field in more than 20 years analyzes the role of various metals in the context of Greek economic life, politics, culture and art, traces the movement of metal from ore to finished objects, including works of art, and shows the relations between the regions where metals were extracted and the centres of metalworking, the structure of the workshops and the connections between them and the role of the workshops in economic life at different stages in Greek history. In doing so it adopts a multidisciplinary approach, defining the role of metals in the history of Greek society using the widest possible variety of sources: the excavated remains of workshops and hoar...
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To date, Rome’s intervention to the West from the mid-second century BC has not really been looked at with any sense of overview. Instead, there has been an unconnected series of micro-regional studies looking at particular areas, from the river Ebro in Spain round to Italy on the land front, and from the Balearic Islands to Corsica, Sardinia and even Sicily as regards the seaborne aspect. In contrast, the aim of this volume is to push the historical and archaeological debates about Rome’s expansion beyond these traditional geographical boundaries and the discipline-based previous research. The entire north-western Mediterranean is treated as a micro-region and is addressed using various...