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Cutty, One Rock
Cutty, One Rock takes the reader on a wild journey by airplane, bus, ferry, and foot from childhood to early manhood in the company of a New Jersey family in equal measures cultivated and deranged. We witness scenes of passionate, even violent intensity that give rise to meditations on eros and literature, the solitariness of travel, and the poetics of place. These individual pieces, most of which first appeared in The London Review of Books and won an international cult following, are by turns "poignant, surreal, down home and lyrical, a mixture of qualities that inheres in his language with uncommon delicacy and effect" (Leonard Michaels). Together they make up an intellectual and emotional autobiography on the run. The book's final section, about Kleinzahler's adored, doomed older brother, is unforgettable, and since its appearance last year in the LRB, has already entered the literature as one of the most moving contemporary memoirs.
The Strange Hours Travelers Keep
Those aren't stars, darling That's your nervous system Nanna didn't take you to planetariums like this --from "Hyper-Berceuse: 3 A.M." August Kleinzahler's new poems stretch and go places he has never gone before: they have his signature high color and rhythmic jump, but they take on a breadth of voice and achieve registers that his earlier work only hinted at. Ranging from Vegas and Mayfair to the Asian steppes and contemporary Berlin, these poems touch down at will in tableaux where Liberace unceremoniously meets with St. Kevin and Attila with Zsa Zsa Gabor. Surprise after surprise, nothing seems to lie outside Kleinzahler's purview. This is the strongest collection to date from a poet with "the vision and confident skill to make American poetry new" (Clive Wilmer, The Times [London]).
The Hotel Oneira
A new collection of poetic works by the award-winning author of The Strange Hours Travelers Keep features entries that explore human loss, the influence of location and the pervasiveness of the dream world through diverse voices presented in a range of forms.
Snow Approaching on the Hudson
August Kleinzahler has earned admiration for his musical, precise, wise, and sometimes madcap poems that are grounded in the wide array of places, people, and most especially voices he has encountered in his real and imaginative worlds. Snow Approaching on the Hudson is a collection that moves seamlessly through the often hypnogogic, porous realms of dreams, the past and present, inner and outer landscapes. His haunting, shifting atmospheres are peopled by characters, intimately portrayed, that are at one historical and invented. The poet's signature rhythmic propulsion serves as the engine for his newest collection, and his always masterful free verse conveys a life thoroughly lived and brilliantly perceived.
Sleeping It Off in Rapid City
The first broad retrospective of August Kleinzahler's career, Sleeping It Off in Rapid City gathers poems from his major works along with a rich portion of new poems that visit different voice registers, experiment with form and length, and confirm Kleinzahler as among the most inventive and brilliant poets of our time. Travel—actual and imaginary—remains a passion and inspiration, and in these pages the poet also finds "This sanctified ground / Here, yes, here / The dead solid center of the universe / At the heart of the heart of America."
Red Sauce, Whiskey, and Snow
August Kleinzahler has been one of American poetry's best-kept secrets for nearly fifteen years. His new collection, Red Sauce, Whiskey and Snow, will dramatically change this situation. The landscapes of these poems are urban, their elements sensuously particularized and positioned to blend in startling and revealing ways. Scenes and characters shift and are spliced together with the audacity and speed of cinematic cuts. But Kleinzahler's signature is his music. His lines are nervously graceful, their movement flexible and deliberate. The voice continually changes register. It is savage, then tender; melancholy, then comic. Combining a broad sweep with deft tactics, his new poems are utterly original and distinctive, a fresh promise for readers weary of the studied postmodernism of much recent poetry.
Green Sees Things in Waves
1996 Academy Award in Literature from the American Academy of Arts and Letters. In Green Sees Things in Waves, a powerful and inventive collection, August Kleinzahler succeeds in creating a new idiom for American lyric poetry that captures the velocity and swerves of contemporary life in the city. He pushes the language very hard to get there, and the results are breathtaking: an angular, propulsive poetry that transforms character, voice, and setting into buzzing, luminous events.
The Letters of Thom Gunn
'I write about love, I write about friendship,' remarked Thom Gunn: 'I find that they are absolutely intertwined.' These core values permeate his correspondence with friends, family, lovers, and fellow poets, and shed new light on 'one of the most singular and compelling poets in English during the past half-century' ( Times Literary Supplement). These letters reveal the evolution of Gunn's work and illuminate the fascinating life that informed his poems: his struggle to come to terms with his mother's suicide; his changing relationship with his life partner, Mike Kitay; the LSD trips that led to his celebrated collection Moly (1971); and the deaths of friends from AIDS that inspired the powerful, unsparing elegies of The Man with Night Sweats (1992).
Before Dawn on Bluff Road / Hollyhocks in the Fog
When August Kleinzahler won the 2004 Griffin Poetry Prize for his collection The Strange Hours Travelers Keep, the judges' citation referred to his work as 'ferociously on the move, between locations, between forms, between registers'. They might also have added 'between New Jersey and San Francisco', the places Kleinzahler has spent his life travelling between, both on the road and on the page. This collection assembles the best of his New Jersey and San Francisco poems for the first time, organised according to place. Providing readers with a gorgeous guide to Kleinzahler's interior geography, Before Dawn on Bluff Road (New Jersey) and Hollyhocks in the Fog (San Francisco) function as both word-maps and word-anatomies of one of our greatest poet's lifelong passions and preoccupations.
Albert Angelo
With an introduction by the writer Toby Litt. The eponymous Albert is an architect by training but a supply teacher out of necessity. Feeling that he is failing at both, and haunted by a failed love affair, he begins to question what he wants to achieve. Using a number of original narrative techniques Johnson attempts to reproduce life (and its travails) as closely as possible through fiction, while at the same time revelling in the impossibility of such a task. A passionate advocate for the avant-garde, B S Johnson said of the acerbically comic and exuberant Albert Angelo that it was where he 'really discovered what he should be doing'. And on page 163 of this extraordinary book is one of the most surprising lines in English fiction. But you should start at the beginning.
