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Staat, Stadt, Subjekt
Since the publication in 1960 of Hans Lebert's, Die Wolfshaut, Austrian fiction has been dominated by the so-called Anti-Heimatroman or 'critical regional novel', which deploys the provincial setting as a key vehicle for the socially-critical representation of the Austrian nation. Such is the dominance of the Anti-Heimatroman that critics have identified a concern with regional Austria as one of the few constants of post-war Austrian writing. In the vast majority of the literature produced since the 1960s, therefore, Vienna has no role to play; the capital has occupied only a marginal position on Austria's literary landscape. Recently, however, critics have acknowledged a return to the city ...
Silenced Facts
In response to the silence that continues to shroud Austria’s historical past, Austrian literature after 1950 wants to retrace an untold history that left its marks in mental schemata and cultural clichés. The question how literature can refer to the facts silenced by a political unconscious, the question of literary reference and reality description, lies at the core of Austrian literature since the 1950’s. This book traces the development of contemporary Austrian fiction from the 1950s to the 1990s, showing how the Vienna Group’s literary reductionism led to gesture of mere pointing in happening and performance. While strongly indebted to the experimental techniques of the Vienna Group, later Austrian authors such as Thomas Bernhard, Peter Handke, Peter Rosei, and Gerhard Roth employ literary forms and extra-literary media prone to the indexical in an attempt to cut through the net of linguistic and cultural clichés, alluding to the microfascisms latent in common percepts, and indexing a reality that eludes plain description.
We are Doing Fine
Follows events in the lives of three generations of a Viennese family as viewed through the eyes of Philipp, who has inherited the villa of his recently deceased grandmother.
Phantom Empires
A former Austro-Hungarian officer and a nobleman, Alexander Lernet-Holenia (1897-1976) was a writer obsessed with the related concepts of postimperial Austrian national identity, Central European regionalism, and monarchism. Throughout most of his wide-ranging oeuvre, which includes novels, novellas, historical and biographical studies, short stories, essays, poetry, plays, and film scripts, he conveyed the image of an Austria inescapably haunted by the sociocultural elements of the lost Austro-Hungarian Empire. Reevaluation of Lernet-Holenia's work is overdue, because his fiction, previously understood only as imperial nostalgia, offers a significant representation of twentieth-century Austrian history from a conservative viewpoint. Using a sociopolitical approach, the present study analyzes the author's critical evaluations of post-imperial Austrian problems of national identity. Ten of Lernet-Holenia's works published between 1931 and 1969 - nine novels and one novella which deal specifically with Austrian society - are examined.
The Second Rider
An internationally acclaimed crime novel set in post-WWI Vienna: “A thrilling, deeply satisfying debut” by “the new star of Austrian crime fiction” (Kronen Zeitung). Vienna, 1919. In the desperate years after World War I, the Habsburg Empire is a fading memory and most of Vienna’s remaining population survives by its wits, living hand to mouth in a city rife with crime, prostitution, and grotesquely wounded beggars. There are shakedowns on every street corner, the black market is the only market, and shortages of vital goods create countless opportunities for unscrupulous operators. Into this cauldron of vice comes Insp. August Emmerich. A veteran himself, Emmerich is determined to...
Mars in Aries
Although this story of a romance between an aristocratic Wehrmacht officer and a mysterious woman in Vienna set against the 1939 invasion of Poland was deemed unacceptable fare for Third Reich readership due to its ambiguity, lack of heroic military images, and the sympathetic portrayal of a suffering Poland, the novel's actual purpose and highly subversive quality were hardly suspected by the Ministry of Propaganda."--Jacket.
Extinction
Thomas Bernhard is one of the greatest twentieth-century writers in the German language. Extinction, his last novel, takes the form of the autobiographical testimony of Franz-Josef Murau. The intellectual black sheep of a powerful Austrian land-owning family, Murau lives in Rome in self-exile. Obsessed and angry with his identity as an Austrian, he resolves never to return to the family estate of Wolfsegg. But when news comes of his parents' deaths, he finds himself master of Wolfsegg and must decide its fate. Written in Bernhard's seamless style, Extinction is the ultimate proof of his extraordinary literary genius. "Strangely gripping. The glue that holds his remarkable novel together is t...
Greed
From the Nobel Prize-winning author .... Greed is the story of Kurt Janisch, an ambitious but frustrated country policeman, and the lonely women he seduces. It is a thriller set amid the mountains and small towns of southern Austria, where the investigation of a dead girl’s body in a lake leads to the discovery of more than a single crime. In her signature style, Jelinek chronicles the exploitative nature of relations between men and women, and the cruelties of everyday life.
Early German and Austrian Detective Fiction
Includes parts of six translated detective novels and novellas originally published between 1828 and 1909. Each story is preceded by a biographical sketch of the author, and a general introduction which covers the literary development of the genre and examines the critical history and the sociohistorical value of the German-language stories.
