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Approaching Romanian literature as world literature, this book is a critical-theoretical manifesto that places its object at the crossroads of empires, regions, and influences and draws conclusions whose relevance extends beyond the Romanian, Romance, and East European cultural systems. This “intersectional” revisiting of Romanian literature is organized into three parts. Opening with a fresh look at the literary ideology of Romania's “national poet,” Mihai Eminescu, part I dwells primarily on literary-cultural history as process and discipline. Here, the focus is on cross-cultural mimesis, the role of strategic imitation in the production of a distinct literature in modern Romania, and the shortcomings marking traditional literary historiography's handling of these issues. Part II examines the ethno-linguistic and territorial complexity of Romanian literatures or “Romanian literature in the plural.” Part III takes up the trans-systemic rise of Romanian, Jewish Romanian, and Romanian-European avant-garde and modernism, Socialist Realism, exile and émigré literature, and translation.
Famous professor Joseph Wieder was brutally murdered, and the crime was never solved. Years later when literary agent Peter Katz receives an incomplete memoir written by a student of the murdered professor, he becomes obsessed with solving the crime.
Romania is a true cultural melting pot, rooted in Greek and Turkish traditions in the south, Hungarian and Saxon in the north and Slavic in the east and west. Carapathia, the first book from food stylist and cooking enthusiast Irina Georgescu, aims to introduce readers to Romania's bold, inventive and delicious cuisine. Bringing the country to life with stunning photography and recipes, it will take the reader on a culinary journey to the very heart of the Balkans, exploring it's history and landscape through it's traditions and food. From fragrant pilafs, sour borsch and hearty stews, to intricate and moreish desserts, this book celebrates the dishes from a culture living at the crossroads of eastern and western traditions.
Based on the idea that there is a considerable difference between reality and discourse, the author points out that history is constantly reconstructed, adapted and sometimes mythicized from the perspectives of the present day, present states of mind and ideologies. He closely examines historical culture and conscience in nineteenth and twentieth century Romania, particularly concentrating on the impact of the national ideology on history. Boia's innovative analysis identifies several key mythical configurations and shows how Romanians have reconstituted their own highly ideologized history over the last two centuries. The strength of History and Myth in Romanian Consciousness lies in the author's ability to fully deconstruct the entire Romanian historiographic system and demonstrate the increasing acuteness of national problems in general, and in particular the exploitation of history to support national ideology.
The imposition of Communist ideology was a misfortune for millions in Eastern Europe, but never for Dennis Deletant. Instead, it drew him to Romania. The renowned historian’s association with the country and its people dates back to 1965, when he first visited. Since then, Romania has made Dennis appreciate the value of shrewd dissimulation, in the face of the state’s gross intrusion in the life of the individual. This vivid memoir charts his first-hand experience of the Communist era, coloured by the early 1970s surveillance of his future wife Andrea; his contacts with dissidents; and his articles and BBC World Service broadcasts, which led to his being declared persona non grata in 198...
This anthology aims to provide the foreign reader with a number of significant samples of the works of a number of Romanian science fiction authors, predominantly dating from the last 25 years, which have produced some of Romania's best science fiction. It contains some of the shorter works of established authors who still possess considerable creative potential at no more than 60 years of age at the time the selection was made. Some - Liviu Radu, Cristian Tudor Popescu, Dănuț Ungureanu, Sebastian A. Corn, Michael Hăulică and Florin Pîtea among others - are acknowledged masters of the genre - not only among the communit of science fiction authors, but also literary critics as a whole, members of the Writers' Union of Romania and other authorities in the field. These are accompanied by the works of a number of young authors, who in recent years have published convincing, original material and who, in effect, represent a new generation of Romanian science fiction writers.
'Cartarescu is one of the great literary voices of Central Europe' Olga Tokarczuk, Nobel Prize winner and author of Flights 'A Danubian Narnia. . . his writing delivers a rainbow-hued riot of fantasy, imagination and invention' Boyd Tonkin, Spectator A dreamlike novel of memory and magic, Nostalgia turns the dark world of Communist Bucharest into a place of strange enchantments. Here a man plays increasingly death-defying games of Russian Roulette, a child messiah works his magic in the tenements, a young man explores gender boundaries, a woman relives her youth and an architect becomes obsessed with the sound of his new car horn - with unexpected consequences. Blending reality and symbolism, time and myth, this is a cult masterwork from Romania's most celebrated writer.
Aged eighteen, Tessa Dunlop went to post-Revolutionary Romania to work in an orphanage - to do something remarkable to help her get into Oxford. Once there she didn't want to leave and ended up staying for nearly a year. She returned the following summer, but this time chose a big industrial city where she taught English and befriended a student and his family. The youngest son, 'Vlad', was only twelve, shy and very intelligent. Once more Tessa was emotionally hooked. Back home in the Scottish Highlands, she organised for Vlad to be sponsored by her old boarding school. He aced his classes, but, conflicted in the wake of his extraordinary experience, turned down a full-time place. They lost touch; however, the pull of Romania eventually proved too much and, five years on, Tessa returned. Life would never be the same again.
“An important book” that delves into the role of religious authorities in Romania during the Holocaust, and the continuing effects today (Antisemitism Studies). In 1930, about 750,000 Jews called Romania home. At the end of World War II, approximately half of them survived. Only recently, after the fall of Communism, are details of the history of the Holocaust in Romania coming to light. Ion Popa explores this history by scrutinizing the role of the Romanian Orthodox Church from 1938 to the present day. Popa unveils and questions whitewashing myths that covered up the role of the church in supporting official antisemitic policies of the Romanian government. He analyzes the church’s relationship with the Jewish community in Romania, with Judaism, and with the state of Israel, as well as the extent to which the church recognizes its part in the persecution and destruction of Romanian Jews. Popa’s highly original analysis illuminates how the church responded to accusations regarding its involvement in the Holocaust, the part it played in buttressing the wall of Holocaust denial, and how Holocaust memory has been shaped in Romania today.