You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The remarkable autobiography of Mexican-Jewish disability rights activist and writer Gabriela Brimmer
Revels in the complexities of female identity and American culture. The collection's sixteen original essays move beyond conventional discussions of hippie chicks and Weatherwomen to examine the diverse lives of women who helped to shape religion, sports, literature, and music, among other aspects of the cultural hodgepodge known as the sixties. From familiar names like Yoko Ono, Carole King, and Joan Baez to lesser-known figures like Anita Caspary and Barbara Deming, the women represent a variety of points on the celebrity and feminist spectrums. The book traces women who sought to break into "male" fields, women whose personae and work link the radical sixties to earlier cultural traditions, and those who consciously confronted power structures and demanded change. – from publisher information.
This book explores Mexico's foreign policy using the ‘principled pragmatism’ approach. It describes and explains main external actions from the country’s independence in the nineteenth century to Andrés Manuel López Obrador’s administration. The principal argument is that Mexico has resorted to principled pragmatism due to geographic, historical, economic, security, and political reasons. In other words, the nation uses this instrument to deal with the United States, defend national interests, appease domestic groups, and promote economic growth. The key characteristics of Mexico’s principled pragmatism in foreign policy are that the nation projects a double-edged diplomacy to cope with external and domestic challenges at the same time. This policy is mainly for domestic consumption, and it is also linked to the type of actors that are involved in the decision-making process and to the kind of topics included in the agenda. This principled pragmatism is related to the nature of the intention: principism is deliberate and pragmatism is forced; and this policy is used to increase Mexico’s international bargaining power.
This volume seeks to collectively explore how maps can be used to understand the making of European empires, how the epistemological practices embedded in them can be approached to understand European imperial space-making, and how maps can be seen as representations of imaginaries of connectivity. Rehearsing mapping’s past and its multifarious relations with European imperial orders is not merely an historical exercise to contribute to a global history of cartography. What binds the several interventions is rather an awareness that looking at a particular moment of the past with composite methodologies and interdisciplinary gazes may harbour potential discoveries on the context-embedded relations between mapping, connectivity, and European empire to which we are not yet attuned. By exploring the imaginaries of the world in the mapping of Western modern empires, the book also links to the burgeoning literature on the history of international relations and empire. The emphasis on empires serves here as an important corrigendum for IR’s state centrism and Eurocentrism and contributes to further erode the myth of Westphalia.
This edited collection addresses the problem of how the creation of novel spaces of governance relates to imaginaries of connectivity in time. While connectivity seems almost ubiquitous today, it has been imagined and practiced in various ways and to varying political effects in different historical and geographical contexts. Often the conception of new connectivities also gives birth to new spaces of governance. The political denomination of spaces – whether maritime, continental, social, or virtual – reflects the situatedness of power. Yet, such crafting of new spaces also expresses particular imaginaries and technologies of connectivity that make governance possible. Whereas the study...
The social connotation of jazz in American popular culture has shifted dramatically since its emergence in the early twentieth century. Once considered youthful and even rebellious, jazz music is now a firmly established American artistic tradition. As jazz in American life has shifted, so too has the kind of venue in which it is performed. In Jazz Places, Kimberly Hannon Teal traces the history of jazz performance from private jazz clubs to public, high-art venues often associated with charitable institutions. As live jazz performance has become more closely tied to nonprofit institutions, the music's heritage has become increasingly important, serving as a means of defining jazz as a social good worthy of charitable support. Though different jazz spaces present jazz and its heritage in various and sometimes conflicting terms, ties between the music and the past play an important role in defining the value of present-day music in a diverse range of jazz venues, from the Village Vanguard in New York to SFJazz on the West Coast to Preservation Hall in New Orleans.
This edited collection of exciting new scholarship provides comprehensive coverage of the broad sweep of twentieth century religious activism on the American left. The volume covers a diversity of perspectives, including Protestant, Catholic, and Jewish history, and important essays on African-American, Latino, and women’s spirituality. Taken together, these essays offer a comparative and long-term perspective on religious groups and social movements often studied in isolation, and fully integrate faith-based action into the history of progressive social movements and politics in the modern United States. It becomes clear that throughout the twentieth century, religious faith has served as a powerful motivator and generator for activism, not just as on the right, where observers regularly link religion and politics, but on the left. This volume will appeal to historians of modern American politics, religion, and social movements, religious studies scholars, and contemporary activists.
None
The goal of Riots in the Cities, editors Silvia Marina Arrom and Servando Ortoll contend, is to encourage Latin Americanists to rethink standard notions of urban politics before the populist era. The actual political power wielded by the underprivileged city dwellers before the twentieth century has received little scholarly attention or has been downplayed. Researchers often described urban inhabitants as having little influence over both their lives and on the politics of their day. The elite were perceived as having firm control over the political process. The seven essays in this reader analyze urban riots that broke out in major Latin American population centers between 1765 and 1910. I...