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Sex, Class and Culture
First published in 1986, Sex, Class and Culture is a collection of Marxist feminist essays that develops an original critical theory and applies it to literature, the visual arts, and mass media. Lillian Robinson was the first American critic to suggest the essential connections among sex, class, and race as forces that shape works of art and the critical response to them. In applying her theory to particular texts, she considers topics from the Renaissance epic to the Regency romance, from Jane Austen to contemporary feminist poets, and from factory workers’ memoirs to TV images of career women and housewives. The essays are insightful because Robinson clearly knows this wide assortment of texts, cares about their significance, and writes about them with wit. They are irreverent, because she asserts the feminist critic’s permanent responsibility to ask "So What?" and they are controversial because she constantly addresses that question to our most powerful and respectable institutions – social and literary. This book will be of interest to students of literature, history, gender studies and sexuality studies.
Minds Alive
Minds Alive explores the enduring role and intrinsic value of libraries, archives, and public institutions in the digital age. Featuring international contributors, this volume delves into libraries and archives as institutions and institutional partners, the professional responsibilities of librarians and archivists, and the ways in which librarians and archivists continue to respond to the networked age, digital culture, and digitization. The endless possibilities and robust importance of libraries and archives are at the heart of this optimistic collection. Topics include transformations in the networked digital age; Indigenous issues and challenges in custodianship, ownership, and access; the importance of the harmonization of memory institutions today; and the overarching significance of libraries and archives in the public sphere. Libraries and archives – at once public institutions providing both communal and private havens of discovery – are being repurposed and transformed in intercultural contexts. Only by keeping pace with users’ changing needs can they continue to provide the richest resources for an informed citizenry.
Processing the Past
Processing the Past explores the dramatic changes taking place in historical understanding and archival management, and hence the relations between historians and archivists. Written by an archivist and a historian, it shows how these changes have been brought on by new historical thinking, new conceptions of archives, changing notions of historical authority, modifications in archival practices, and new information technologies. The book takes an "archival turn" by situating archives as subjects rather than places of study, and examining the increasingly problematic relationships between historical and archival work. By showing how nineteenth- and early twentieth-century historians and arch...
Documenting Localities
Drawing on a wide range of writings from archivists, historians, librarians, and preservationists, Cox summarizes the past decade of discussion concerning practical methodologies of documenting localities.
Boots of Leather, Slippers of Gold
When most lesbians had to hide, how did they find one another? Were the bars of the 1940s and 1950s more fun than the bars today? Did Black and white lesbians socialize together? Boots of Leather, Slippers of Gold is a ground-breaking account of the growth of the lesbian community in Buffalo, New York from the mid-1930s to the early 1960s Drawing on oral histories collected from 45 women, it is the first comprehensive history of a working-class lesbian community. These poignant and complex stories provide a new look at Black and white working-class lesbians as powerful agents of historical change. Their creativity and resilience under oppressive circumstances constructed a better life for al...
