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Restrained Response
Axelsson provides an overview of American war and military novels set between 1945 and 1962. These are novels informed and inspired by the conditions and background of postwar occupation, the Korean War, and the early phases of the Cold War. More than 120 narratives are considered and evaluated from a literary point of view and discussed in terms of their contribution to the understanding of the period. The ultimate goal is a clear delineation of this period in American life and literature. In view of this orientation, the study will be useful to researchers and teachers of American history and literature as well as students of the Korean War. Of the books considered, 27 are given extended t...
The Madness of It All
"I cannot begin to count the number of times over the past 37 years that I have wished I had never heard of Vietnam, let alone fought in the Vietnam War. That experience has haunted my days. It has troubled my nights. It has shaped my identity and colored the way I see the world and everything in it"--from the Preface. W.D. Ehrhart, called "one of the great poets and writers of nonfiction produced by the Vietnam War" by The Nation, here presents 43 essays, whose topics include not only the Gulf, Vietnam, and Korean wars, the conflict between Israel and Palestine, war and journalism, and American war poetry, but also junk mail, the Internet, the IRS, tugboats, drawbridges, race relations, the justice system, health care, small town life in America, nicotine addiction, the bravado of youth, honesty and American culture, the rhetoric of national mythology, and presidential isolation, among others.
A Revolutionary War
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The Warrior Image
Images of war saturated American culture between the 1940s and the 1970s, as U.S. troops marched off to battle in World War II, the Korean War, and the Vietnam War. Exploring representations of servicemen in the popular press, government propaganda, museum exhibits, literature, film, and television, Andrew Huebner traces the evolution of a storied American icon--the combat soldier. Huebner challenges the pervasive assumption that Vietnam brought drastic changes in portrayals of the American warrior, with the jaded serviceman of the 1960s and 1970s shown in stark contrast to the patriotic citizen-soldier of World War II. In fact, Huebner shows, cracks began to appear in sentimental images of the military late in World War II and were particularly apparent during the Korean conflict. Journalists, filmmakers, novelists, and poets increasingly portrayed the steep costs of combat, depicting soldiers who were harmed rather than hardened by war, isolated from rather than supported by their military leadership and American society. Across all three wars, Huebner argues, the warrior image conveyed a growing cynicism about armed conflict, the federal government, and Cold War militarization.
Brainwashing
An examination of the literary and cinematic representations of brainwashing during the Cold War era. CIA operative who was a tireless campaigner against communism. it took hold quickly and became a means to articulate fears of totalitarian tendencies in American life. David Seed traces the assimilation of the notion of brainwashing into science fiction, political commentary, and conspiracy narratives of the Cold War era. He demonstrates how these works grew out of a context of political and socail events and how they express the anxieties of the time. The Manchurian Candidate. Seed provides new interpretations of writers such as Orwell and Burroughs within the history of psychological manipulation for political purposes, using declassified and other documents to contextualise the material. he explores the shifting view points of how brainwashing is represented, changing from an external threat to American values to an internal threat against individual American liberties by the U.S. government. will welcome this study.
The American Novel of War
In song, verse, narrative, and dramatic form, war literature has existed for nearly all of recorded history. Accounts of war continue to occupy American bestseller lists and the stacks of American libraries. This innovative work establishes the American novel of war as its own sub-genre within American war literature, creating standards by which such works can be classified and critically and popularly analyzed. Each chapter identifies a defining characteristic, analyzes existing criticism, and explores the characteristic in American war novels of record. Topics include violence, war rhetoric, the death of noncombatants, and terrain as an enemy.
The Half-vanished Structure
This book takes issue with the tendency in twentieth-century Hawthorne-criticism to blur the distinction between symbolism and allegory. Rejecting the long-standing notion that Hawthorne is a symbolist in allegorical disguise, Ullén argues that allegory is the key to understanding how religion, sexuality, aesthetics and politics are interwoven in Hawthorne's writings. The study presents a model for allegorical interpretation of general applicability, which is brought to bear on each of Hawthorne's mature romances, and on the oft-neglected Wonder Books written for children. An unparalleled analysis of the formal intricacies of Hawthorne's writings, this book is an eloquent plea for the necessity of grounding ideological analysis in aesthetical considerations.
Soldiers Once and Still
As the world enters a new century, as it embarks on new wars and sees new developments in the waging of war, reconsiderations of the last century’s legacy of warfare are necessary to our understanding of the current world order. In Soldiers Once and Still, Alex Vernon looks back through the twentieth century in order to confront issues of self and community in veterans’ literature, exploring how war and the military have shaped the identities of Ernest Hemingway, James Salter, and Tim O’Brien, three of the twentieth century’s most respected authors. Vernon specifically explores the various ways war and the military, through both cultural and personal experience, have affected social ...
Hawthorne's Visual Artists and the Pursuit of a Transatlantic Aesthetics
Among Hawthorne's primary themes, the visual arts have usually been regarded as an afterthought and have only been examined to elucidate his own personal philosophy. Hawthorne's own contemporaries derided him for his 'mediocre' aesthetics and that view has been taken as received wisdom up to the present day. This study reexamines Hawthorne's aesthetics, and suggests that he was much more familiar with the art and artists of the time than has previously been acknowledged by critics. He developed his own eclectic and transatlantic view of art, a view which incorporated decorative arts like embroidery, while maintaining a modest estimation of his own talents. This book examines the full range o...
