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Impersonal constructions in the history of English form a puzzling category, in that there has been uncertainty as to why some verbs are attested in such constructions while others are not, even though they look almost synonymous. This book tackles this under-discussed question in one of the most popular topics of English historical syntax, with special reference to verbs of emotion in Middle English.
An edited volume which addresses problems encountered in gathering and analysing data from early English.
Explores categories, constructions, and change in the syntax of English, both past and present, methodologically and theoretically.
The present volume is intended as a scientific conversation between pioneering research and the traditionally leading disciplines of medievalism. With that aim, the collection presents a selection of crucial essays to add to contemporary discussion which, however convergent and synchronous in approach, also pull in heterogeneous distinct ways and enhance the multiple perspectives which are currently embraced in the study of English medievalism. The chapters, fifteen in all, constitute a peer-reviewed selection of papers presented at the 22nd International Conference of the Spanish Society for Mediaeval English Language and Literature (SELIM), which brought together a large number of scholars...
Pathos in Late-Medieval Religious Drama and Art explores the connections between the language of European late-medieval drama and co-temporary themes and motifs in visual communication, focussing on the triggering of emotional reactions in the viewers as a persuasive device.
This volume brings together contributions tracing the complex paths of change taken by the English language in its long history, from its beginnings in Old English to the present day. It addresses issues in a variety of fields ranging from semantics and morphosyntax to the interface between syntax and phonology, using a number of different theoretical standpoints. As such, the text reflects a diversity of approaches to corpora, and will serve to improve the reader’s understanding of some of the many developments and alterations that have affected English. It will be of interest to all scholars and students working on the history of English, as well as students of historical linguistics in general.
Based on 258 English grammar books, 'Language Between Description and Prescription' investigates nineteenth-century grammar writing relating to actual language change, especially in the verb phrase. Lieselotte Andewald proposes that not all changes were noticed in the first place, and those that were noticed were not necessarily criticized.
An exploration of emotional life in the West, considering the varieties, transformations and constants of human emotions over eleven centuries.
This work is a study of how motion is expressed in medieval English. It provides extensive inventories of verbs used in intransitive motion meanings in Old and Middle English and discusses these in terms of the manner-salience of early English
Reference to or quotation from someone's speech, thoughts, or writing is a key component of narrative. These reports further a narrative, make it more interesting, natural, and vivid, ask the reader to engage with it, and reflect historical cultural understandings of modes of discourse presentation. To a large extent, the way we perceive a story depends on the ways it presents discourse, and along with it, speech, writing, and thought. In this book, Beatrix Busse investigates speech, writing, and thought presentation in a corpus of 19th-century narrative fiction including Frankenstein, Jane Eyre, Wuthering Heights, Oliver Twist, and many others. At the intersection between corpus linguistics...