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God's Caliph
  • Language: en
  • Pages: 168

God's Caliph

This study examines how religious authority was distributed in early Islam. It argues the case that, as in Shi'ism, it was concentrated in the head of state, rather than dispersed among learned laymen as in Sunnism. Originally the caliph was both head of state and ultimate source of religious law; the Sunni pattern represents the outcome of a conflict between the caliph and early scholars who, as spokesmen of the community, assumed religious leadership for themselves. Many Islamicists have assumed the Shi'ite concept of the imamate to be a deviant development. In contrast, this book argues that it is an archaism preserving the concept of religious authority with which all Muslims began.

Media in Education
  • Language: en
  • Pages: 109

Media in Education

With the aim of discussing “old” and “new” teaching technologies, based on research and on the strategies and praxis of the use of technologies and methodologies in the different teaching levels, and also embracing the contribution and active participation of researchers, teachers, creators, managers and other specialists, the work will provide inputs on the following topics: Students’ perspectives on media in the classroom, Students and media (as content and as tools for learning), Educational Media Design, Institutional Impact of the integration of Educational Media, Old v. New Media: what really matters, Research and Evaluation, Personal and/or social learning environments/networks, Media and inclusion, Media and informal learning, Immersive learning environments, Virtual mobility in Education, Mobile learning, Media and literacies.

Makamat
  • Language: en

Makamat

  • Type: Book
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  • Published: 1850
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  • Publisher: Unknown

None

Words And Symbols: Language And Communication In Therapy
  • Language: en
  • Pages: 146

Words And Symbols: Language And Communication In Therapy

The book addresses counsellors and psychotherapists from all major theoretical orientations, from psychodynamic therapies through to humanistic and existential approaches, maintaining an overview that is relevant to an integrative position.

Modern Mongolian: A Course-Book
  • Language: en
  • Pages: 269

Modern Mongolian: A Course-Book

  • Type: Book
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  • Published: 2004-08-02
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  • Publisher: Routledge

This complete guide to the Mongolian language provides a basic knowledge of all Mongolian noun inflexions and the basic and most important verbal inflections, and the uses of these. Grammatical concepts are introduced at the beginning of each chapter and discussed, with further examples, in a grammar section. Each chapter is accompanied by a list of new vocabulary items. A complete vocabulary list, English-Mongolian and Mongolian-English, is given at the end of the book, as is a list of all the Mongolian terminations, inflexions and stems that appear in the book.

Introduction to Sumerian Grammar
  • Language: en

Introduction to Sumerian Grammar

Introduction to Sumerian Grammar

The Turkic Languages and Peoples
  • Language: en
  • Pages: 288

The Turkic Languages and Peoples

None

The Writer's Craft, the Culture's Technology
  • Language: en
  • Pages: 293

The Writer's Craft, the Culture's Technology

  • Type: Book
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  • Published: 2005
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  • Publisher: Rodopi

"The Writer's Craft, the Culture's Technology explores the multiple ways in which a culture's technological resources shape its literary productions. Literature and style cannot be divorced from the particular technologised culture that sponsors them. This has always been true, as papers here on literature from earlier periods show. But many of the papers focus on contemporary culture, where literature vies for attention with film, the internet, and other multimodal cultural forms. These essays, from an international array of experts, are stylistics-based but not stylistics-bound. They should be of interest to all who are interested in discourse analytic commentaries on how technological horizons, as always, continue to shape the forms and functions of literature and other cultural productions."--BOOK JACKET.

Aivazovsky
  • Language: en

Aivazovsky

The seascapes of Ivan Aivazovsky (1817-1900) made his name in Russia, his native country where he was a painter of the court of Nicholas I, yet his fame barely extended beyond these borders. Master of the Sublime, he made the ocean the principal subject of his work. Sometimes wild and raging, sometimes calm and peaceful, the life of the ocean is composed of as many allegories as the human condition. Like Turner, whom he knew and whose art he admired, he never painted outside in nature, nor did he make preliminary sketches; his paintings were the fruit of his exceptional memory. With more than 6,000 canvasses, Aivazovsky was one of the most prolific painters of his time.