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This history of Harvard's architecture examines the Federal architecture of Charles Bulfinch, H.H. Richardson's Romanesque buildings, the Imperial manner reflected in Widener Library, and the work of other architects such as Charles McKim, Gropius and Le Corbusier.
Sociologically speaking, the Back Bay is Boston's fashionable residential quarter -- or so it was until the great depression of 1929 began the gradual conversion of its aristocratic dwellings to more modest uses. Occupying about two hundred acres in the center of the greater filled region, the limits of this smaller area are the river, the Public Garden, Boylston Street, and Fenway Park. The Back Bay is interesting to Bostonian and visitor of the present day for a variety of reasons. Some will look at the area as a remarkably complete example of nineteenth century American architecture. Some people with a sociological interest will study the area's changes in property use and occupancy over the last thirty-five years and try to foresee the role the Back Bay is to play in the future development of the metropolitan center. Still others are concerned with the area as a convenient place to live or with property values and tax rates. With a precision almost unique in American history, the buildings of the Back Bay chart the course of architectural development for more than half a century. - Introduction.
This lavishly illustrated account of sixteen hundred years of New Mexico's architectural history is the first comprehensive treatment of the subject. Emphasizing secular buildings, noted architectural historian Bainbridge Bunting begins by describing the fourth-century pithouses of the Basket Makers and goes on to examine the buildings of the Pueblo Indians and the architecture of the Spanish Colonial, Mexican, and Territorial New Mexican periods. His discussion of Pueblo buildings covers material rarely dealt with in the study of architecture. Bunting makes the reader aware not only of the evolutionary process in New Mexico architecture, but also of the strong sense of continuity that chara...
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This section of Uptown New Orleans gets its name from the various colleges and universities that have existed within its boundaries. Loyola and Tulane are two architecturally diverse universities that line St. Charles Avenue in this historic section. The architecture of this area ranges from the Gothic universities to the grand mansions that also line St. Charles Avenue to the modest shotgun homes and cottages scattered around the perimeter of the section.The New Orleans Architecture Series (see page 21) celebrated its 25th anniversary in 1996. From the beginning, the Friends of the Cabildo have had as their mission to promote history and to establish and protect New Orleans architecture and make it the best documented in the entire United States.
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A compelling and original recovery of Native American resistance and adaptation to colonial America With rigorous original scholarship and creative narration, Lisa Brooks recovers a complex picture of war, captivity, and Native resistance during the “First Indian War” (later named King Philip’s War) by relaying the stories of Weetamoo, a female Wampanoag leader, and James Printer, a Nipmuc scholar, whose stories converge in the captivity of Mary Rowlandson. Through both a narrow focus on Weetamoo, Printer, and their network of relations, and a far broader scope that includes vast Indigenous geographies, Brooks leads us to a new understanding of the history of colonial New England and of American origins. Brooks’s pathbreaking scholarship is grounded not just in extensive archival research but also in the land and communities of Native New England, reading the actions of actors during the seventeenth century alongside an analysis of the landscape and interpretations informed by tribal history.
In 1420, after more than one hundred years of the Avignon Exile and the Western Schism, the papal court returned to Rome, which had become depopulated, dangerous, and impoverished in the papacy's absence. Reviving the Eternal City examines the culture of Rome and the papal court during the first half of the fifteenth century. As Elizabeth McCahill explains, during these decades Rome and the Curia were caught between conflicting realities--between the Middle Ages and the Renaissance, between conciliarism and papalism, between an image of Rome as a restored republic and a dream of the city as a papal capital. Through the testimony of humanists' rhetorical texts and surviving archival materials...
The unique and influential architecture of sixteen New England colleges