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Finding Your Voice
Finding your voice can be used as a resource by actors at all levels, form students and young professionals to established and experienced actors. Drama teachers in schools and committed amateur actors who want to increase their vocal skills and understanding will also find it invaluable.
Tackling Text [and Subtext]
A handbook for students, actors and teachers, on how to cope with text, character and situation.
Actions
An essential companion for actors in rehearsal - a thesaurus of action words to revitalise performance. Actors need actions. They cannot act moods. They need to be doing something with every line. They need verbs. They need an aim to achieve, and an action selected to help achieve that aim. 'Actions' are active verbs. 'I tempt you.' 'You taunt me.' In order to perform an action truthfully and therefore convincingly, an actor needs to find exactly the right action to suit that particular situation and that particular line. That is where this book comes in ... It is a thesaurus of active verbs, with which the actor can refine the action-word until s/he hits exactly the right one to help make the action come alive. It looks like this: taunt insult, tease, torment, provoke, ridicule, mock, poke, needle tempt influence, attract, entice, cajole, coax, seduce, lure, fascinate It is well known in the acting community that random lists of action-words circulate rehearsal rooms in dog-eared photocopies - as a sort of actor's crib. This book makes them available for the first time in an organised and comprehensive form.
The Body Speaks
'Stimulating and intelligent' Yoshi Oida Seventy percent of everyday conversation is conveyed through body language, twenty percent is the voice and only ten percent is the meaning of the words. In The Body Speaks, expert RADA trainer Lorna Marshall, shows how to recognise and lose unwanted physical inhibitions that our background, education or family have taught us and presents a fundamental re-thinking of our relationship to the body and its role in performance. Good performers - be they trapeze artists, Shakespearean actors, Butoh dancers or film stars - are able to fully reach their audience and engage with them because they have learnt to use their bodies to its best effect. Through a series of practical exercises, Lorna Marshall encourages us to unleash our potential, discover new possibility for the body and express ourselves more clearly. This new edition has been fully revised to include the latest thinking on the subject and more exercises particularly for performers in TV and film.
Voice And The Actor
Voice and the Actor is the first classic work by Cicely Berry, Voice Director of the Royal Shakespeare Company and world-famous voice teacher. Encapsulating her renowned method of teaching voice production, the exercises in this straightforward, no-nonsense guide will develop relaxation, breathing and muscular control - without which no actor or speaker can achieve their full potential. Illustrated with passages used in Cicely Berry's own teaching, Voice and the Actor is the essential first step towards speaking a text with truth and meaning. Inspiring and practical, her words will be a revelation for beginner and professional alike.
Impro
Keith Johnstone's involvement with the theatre began when George Devine and Tony Richardson, artistic directors of the Royal Court Theatre, commissioned a play from him. This was in 1956. A few years later he was himself Associate Artistic Director, working as a play-reader and director, in particular helping to run the Writers' Group. The improvisatory techniques and exercises evolved there to foster spontaneity and narrative skills were developed further in the actors' studio then in demonstrations to schools and colleges and ultimately in the founding of a company of performers, called The Theatre Machine. Divided into four sections, 'Status', 'Spontaneity', 'Narrative Skills', and 'Masks and Trance', arranged more or less in the order a group might approach them, the book sets out the specific techniques and exercises which Johnstone has himself found most useful and most stimulating. The result is both an ideas book and a fascinating exploration of the nature of spontaneous creativity.
The Voice Exercise Book
The Head of Voice at the National Theatre shares the voice exercises she uses with many of Britain's leading actors.
Hobson's Choice
Harold Brighouse's 'Hobson's Choice' stands as a delightful testament to early 20th-century English literature, exuding charm through its sharp wit and keen observation of social dynamics. This Lancashire comedy, spread across four acts, not only serves as a vehicle for Brighouse's clever dialect and narrative style but also frames the socio-economic context of the time, particularly in its portrayal of gender roles and class structure. Its very essence is imbued with the life and culture of its setting, offering readers a potent blend of humor and substance that has afforded the play both critical acclaim and enduring popularity. In the hands of DigiCat Publishing, this new edition ensures ...
An Elephant in the Garden
An Elephant in the Garden is Simon Reade’s new adaptation of Michael Morpurgo’s best-selling children’s novel. 1945. Dresden, Germany. Lizzie, her mother – and an elephant from the zoo, flee the Allied fire-bombing in the end-game of the Second World War. Escaping the Allies’ advance from the West – and also the advancing Russian armies from the East – this extraordinary trio of refugees meet: a downed RAF officer, cowering in a barn; a homeless school choir on the run and their Countess saviour, harbouring them from the Nazis; and the mechanised American cavalry, appearing over the horizon. It is Lizzie’s story – but Marlene, the elephant, is the heroine. Plodding, obdurate, opportunistic, loadbearing, indestructible, cheering – Marlene embodies the stubbornness of the human will and how it will do everything to survive.
Rewriting the Nation
This is an essential guide for anyone interested in the best new British stage plays to emerge in the new millennium. For students of theatre studies and theatre-goers Rewriting the Nation: British Theatre Today is a perfect companion to Britain's burgeoning theatre writing scene. It explores the context from which new plays have emerged and charts the way that playwrights have responded to the key concerns of the decade and helped shape our sense of who we are. In recent years British theatre has seen a renaissance in playwriting accompanied by a proliferation of writing awards and new writing groups. The book provides an in-depth exploration of the industry and of the key plays and playwri...
