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In the Ypres Salient
In the Ypres SalientBy Beckles Willson
Orientalism and Musical Mission
Orientalism and Musical Mission presents a new way of understanding music's connections with imperialism, drawing on new archive sources and interviews and using the lens of 'mission'. Rachel Beckles Willson demonstrates how institutions such as churches, schools, radio stations and governments, influenced by missions from Europe and North America since the mid-nineteenth century, have consistently claimed that music provides a way of understanding and reforming Arab civilians in Palestine. Beckles Willson discusses the phenomenon not only in religious and developmental aid circles where it has had strong currency, but also in broader political contexts. Plotting a historical trajectory from the late Ottoman and British Mandate eras to the present time, the book sheds new light on relations between Europe, the USA and the Palestinians, and creates space for a neglected Palestinian music history.
Occultism and Common-Sense
DigiCat Publishing presents to you this special edition of "Occultism and Common-Sense" by Beckles Willson. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Ligeti, Kurtág, and Hungarian Music during the Cold War
Drawing on key elements from musical thought in inter-war Hungary, this 2007 book provides a unique perspective on the nation's musical heritage both inside and outside Hungary's borders during the Cold War. Although Ligeti became part of the Western avant-garde after he left Hungary in 1956, archival sources illuminate his ongoing contact with Hungarian musicians, and their shifting perspective on his work. Kurtág's music was more obviously involved with Hungarian traditions, was entangled with the Soviet occupation, and was a contributing part of the city's diverse musical culture. However, from the mid-1960s onwards, critics identified his music as an artistic and moral 'truth' distinct from the broader musical life of Budapest: it was an idealized symbol of life beyond the everyday in Hungary. Grounding her interpretations of works in these complex political circumstances, Beckles Willson is nonetheless sympathetic to arguments by Ligeti, Kurtág and Budapest music critics that their music might have a life beyond nationalist and Cold War ideology.
In the Ypres Salient, The Story of a Fortnight’s Canadian Fighting, June 2-16 1916 [Illustrated Edition]
Every evening since 1928, the Last Post is sounded in the town of Ypres in West Flanders, and the local fire brigade turn toward the Menin Gate as the local traffic stops. This Mark of respect to the Allied soldiers who fell defending the Ypres salient has been a tradition in the town for almost one hundred years. Tens of thousands of British, French, Canadian, Australian, Indian, New Zealand, South African and other Dominion troops came, fought and died to hold this little outpost of Belgium during the First World War. To comprehend and record the scale of the actions, battles and, most importantly, the human sacrifice of the four years of war, it is necessary to look at limited periods of ...
Ypres
An important early Great War guidebook, written by a man who played a critical role in the Ypres we see today. Henry Beckles Willson was a fierce opponent of the rebuilding of Ypres, feeling that the horrific losses sustained there by the British Army meant that it should always remain a memorial. As Town Major of Ypres, he was instrumental in the development of Ypres as the focal point of Remembrance; he was also pivotal in the creation of the Ypres League.
The Great Company
Reproduction of the original: The Great Company by Beckles Willson
The Storyteller of Jerusalem
The memoirs of Wasif Jawhariyyeh are a remarkable treasure trove of writings on the life, culture, music, and history of Jerusalem. Spanning over four decades, from 1904 to 1948, they cover a period of enormous and turbulent change in Jerusalem’s history, but change lived and recalled from the daily vantage point of the street storyteller. Oud player, music lover and ethnographer, poet, collector, partygoer, satirist, civil servant, local historian, devoted son, husband, father, and person of faith, Wasif viewed the life of his city through multiple roles and lenses. The result is a vibrant, unpredictable, sprawling collection of anecdotes, observations, and yearnings as varied as the city itself. Reflecting the times of Ottoman rule, the British mandate, and the run-up to the founding of the state of Israel, The Storyteller of Jerusalem offers intimate glimpses of people and events, and of forces promoting confined, divisive ethnic and sectarian identities. Yet, through his passionate immersion in the life of the city, Wasif reveals the communitarian ethos that runs so powerfully through Jerusalem’s past. And that offers perhaps the best hope for its future.
