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Mark Valenzuela
Mark Valenzuela is an artist of two worlds. Born and raised in the Philippines, Valenzuela moved to Adelaide, South Australia, as an adult in his thirties. His ceramics and installation practice has since drawn on this duality, oscillating geographically, artistically and politically between the two countries.
If the Future Is to Be Worth Anything
Exhibition catalogue
Belinda
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The Best of Belinda
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The Politics of Artists in War Zones
What exactly is contemporary war art in the West today? This book considers the place of contemporary war art in the 2020s, a whole generation after 9/11 and long past the 'War on Terror'. Exploring the role contemporary art plays within conversations around war and imperialism, the book brings together chapters from international contemporary artists, theorists and curators, alongside the voices of contemporary war artists through original edited interviews. It addresses newly emerged contexts in which war is found: not only sites of contemporary conflicts such as Ukraine, Yemen and Syria, but everywhere in western culture, from social media to 'culture' wars. With interviews from official ...
Belinda
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Belinda 2012
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Belinda
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Belinda
Plot: Three men are competing for a woman; a humorous play with many funny moments - an enjoyable play.It is a lovely April afternoon-a foretaste of summer-in BELINDA'S garden.BETTY, a middle-aged servant, is fastening a hammock-its first appearance this year-to a tree down L. In front there is a garden-table, with a deck-chair on the right of it and a straight-backed one to the left. There are books, papers, and magazines on the table. BELINDA, of whom we shall know more presently, is on the other side of the open windows which look on to the garden, talking to BETTY, who crosses to R. of hammock, securing it to tree C.
