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The Colors covers the past three decades of the American art scene, a period during which the prevailing artistic fashion has shifted as often as the focus of the Whitney Biennial, when art and money, talent and celebrity have often been confused. During this period, figures such as Julian Schnabel, Jeff Koons, and Keith Haring have crossed over from the rarefied world of high art into popular culture, and art dealers, like Hollywood power agents, have often claimed as much attention as those they represented. Anthony Haden-Guest has moved within this world, known the players, and delivers here an authoritative and deliciously inside account.Focusing on the lives and personalities of the art world's main players, and with a sure critical component, Haden-Guest gives us vivid portraits of the period's key artists as they strive to fulfill their ambitions. He does justice as well to the machinations of those who have come to control the larger drama -- the dealers, collectors, and museum curators. Filled with incredible anecdotes, dramatically told stories, and subtle critical assessments, True Colors tells the story of the art world that we have never heard before.
"The publication of Porter's letters marks an occasion for a renewed celebration of his painting and an appreciation of his quirky, indeed ornery, personality. Porter was a feisty correspondent, who fearlessly entered the intellectual discourse of his time." ---From the introduction by David Lehman "In this lifetime of letters, Fairfield Porter reveals the complexity and passion of a protagonist in a novel by Dostoevsky or Henry James." ---Jane Freilicher Fairfield Porter (1907-75) has been called by poet John Ashbery "perhaps the major American artist of the century." He was also known as a gifted art critic. Beyond shedding light on his personal views, this collection of Fairfield Porter's...
This is the first volume of the catalogue raisonne of the work of Mark Rothko, the abstract artist. It documents Rothko's entire output of paintings on canvas and panel, reproducing all the works in colour. An introductory text investigates the essential features of Rothko's art.
"This book will be of critical importance not only to those concerned with African, African American, and Caribbean art, but also to anthropologists, scholars of the African diaspora, students of comparative religion and comparative psychology, and anyone fascinated by the traditions of vodou and vodun."--Jacket.
At the same time, the book discusses different issues in Hispanic cultural history that influenced Lezama's reading of Joyce, describing a period of Joycean enthusiasm that arose in Hispanic American letters on the publication of the first Spanish translation of Ulysses."--BOOK JACKET.
A book of heroic dimensions, this is the first full-length biography of one of the greatest artists of the twentieth century—a man as fascinating, difficult, and compelling as the paintings he produced. Drawing on exclusive access to Mark Rothko's personal papers and over one hundred interviews with artists, patrons, and dealers, James Breslin tells the story of a life in art—the personal costs and professional triumphs, the convergence of genius and ego, the clash of culture and commerce. Breslin offers us not only an enticing look at Rothko as a person, but delivers a lush, in-depth portrait of the New York art scene of the 1930s, ’40s, and ’50s—the world of Abstract Expressionis...
“A gentle, knowledgeable guide to a fate we all share” (The Washington Post): the first and only all-encompassing action plan for the end of life. “There is nothing wrong with you for dying,” hospice physician B.J. Miller and journalist and caregiver Shoshana Berger write in A Beginner’s Guide to the End. “Our ultimate purpose here isn’t so much to help you die as it is to free up as much life as possible until you do.” Theirs is a clear-eyed and big-hearted action plan for approaching the end of life, written to help readers feel more in control of an experience that so often seems anything but controllable. Their book offers everything from step-by-step instructions for how...
Enter the End Times Where Religion Becomes the Enemy And God's True Purpose is Revealed Will Simon, a New York City journalist, is investigating a story about religion for Global Press when, suddenly, he is pulled into a hellish place by his former fraternity brother, Adrian. As if given a cryptic message from the underworld, Will later discovers that Adrian had died that very night. Compelled to uncover the mystery of Adrian's possible murder, he gets sucked into the allure of a demonic presence, and then happens upon a plot in beautiful Sedona, Arizona, that may end his life-a diabolical scheme that will certainly usher in the end times. Only this time, the Antichrist uses religion to fulf...