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Take a new look at ancient history through the seven wonders of a geographical or cultural region. Each book in this series explains the qualities that makes something a 'wonder', with information about how the wonders were constructed, how they were discovered or preserved, how they are studied, and if and how they are used in modern times.
Ben Nicholson (1894-1982) is widely considered to be one of the most important artists to have emerged from Britain in the last hundred years. In the early 1920s he first saw Cubist paintings and began producing Cubist-influenced works: other informative influences included the Cornish naive painter Alfred Wallis; the sculptor Barbara Hepworth, who became his second wife; and the avant-garde artists he encountered in Paris that included Braque, Mondrian, and Picasso. In 1934 he made the first of a series of white reliefs that were hailed as the most uncompromisingly avant-garde works produced by any English artist, bringing him to international prominence. In 1939, Nicholson and Hepworth ret...
This essay collection, by scholars from both the United States and Europe, carefully examines the artwork of one of the most important 20th-century American painters and printmakers, George Bellows. It builds on the Columbus Museum of Art’s 2013 exhibition, George Bellows and the American Experience, and the National Gallery of Art’s 2012 exhibition, George Bellows. The volume offers innovative research that explores his oeuvre from multiple viewpoints. The essays challenge widely held perceptions of Bellows, such as his Americanness, hyper-masculinity, patronage, response to the World War I, and his relationship to fellow artist Edward Hopper. This is an essential collection for any serious study on Bellows’ work.
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This book explores aspects of the social and cultural history of nuclear Britain in the Cold War era (1945–1991) and contributes to a more multivalent exploration of the consequences of nuclear choices which are too often left unacknowledged by historians of post-war Britain. In the years after 1945, the British government mobilised money, scientific knowledge, people and military–industrial capacity to create both an independent nuclear deterrent and the generation of electricity through nuclear reactors. This expensive and vast ‘technopolitical’ project, mostly top-secret and run by small sub-committees within government, was central to broader Cold War strategy and policy. Recent attempts to map the resulting social and cultural history of these military–industrial policy decisions suggest that nuclear mobilisation had far-reaching consequences for British life. The chapters in this book were originally published as a special issue of Contemporary British History.
Norhaven is a solitary coastal town. It stands alone, a north east knuckle that shakes its fist, defying the icy salt spray and dares to cling to Scotland's forgotten shoulder;
An intimate look at Ben Nicholson's everyday inspirations
Christopher Neves classic book is a journey into the imagination through the English landscape. How is it that artists, by thinking in paint, have come to regard the landscape as representing states of mind? Painting, says Neve, is a process of finding out, and landscape can be its thesis. What he is writing is not precisely art history: it is about pictures, about landscape and about thought. Over the years, he was able to have discussions with many of the thirty or so artists he focuses on, the inspiration for the book having come from his talks with Ben Nicholson; and he has immersed himself in their work, their countryside, their ideas. Because he is a painter himself, and an expert on 2...