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The kingdom of God functions as a key theme that clarifies the direction of redemptive history. The canonical narrative portrays God's dealing with humanity on both individual and corporate levels. Throughout the history of the church, many have claimed that national Israel is best read as a type of an eschatological consummation of individuals drawn from all nations. However, does the direction of redemptive history consummate with a redemption of individuals or does it include national entities? Do the promises to national Israel become fulfilled typologically through a singular corporate reality or in a multinational kingdom, which includes national Israel? In The Multinational Kingdom in Isaiah, Andrew H. Kim addresses arguments from those who claim that Isaiah serves as a turning point in which national distinctions are erased in the eschatological kingdom. Kim argues that Isaiah envisions a multinational kingdom comprised of Israelites and gentiles with national and territorial distinctions.
Harlot or Holy Woman? presents an exhaustive study of qedešah, a Hebrew word meaning “consecrated woman” but rendered “prostitute” or “sacred prostitute” in Bible translations. Reexamining biblical and extrabiblical texts, Phyllis A. Bird questions how qedešah came to be associated with prostitution and offers an alternative explanation of the term, one that suggests a wider participation for women as religious specialists in Israel’s early cultic practice. Bird’s study reviews all the texts from classical antiquity cited as sources for an institution of “sacred prostitution,” alongside a comprehensive analysis of the cuneiform texts from Mesopotamia containing the cogn...
This book offers a synchronic exegesis of Saul's night visit to the witch of En-Dor (1 Sam 28:3-25), focussing on the web of repetitions of visual elements, of symbols, of sounds, of entire scenes, and of keywords. Kent shows how an artistry of repetition and non-repetition helps to build characterization, plot, and structure, as well as prophetic fulfilments, foreshadowing, and inter-textual warnings. In his argument Kent draws on theory from the study of narrative film and other areas of criticism to devise new tools for the practice of biblical exegesis. With new techniques, new questions arise that promise to keep the Hebrew Bible at the centre of contemporary theological study.