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Publisher description
Just as the revolutionaries of America sought to create a new society, so too did Benjamin Henry Latrobe seek to create buildings and oversee public works projects that would elevate the culture and society of the United States. This biography of Benjamin Henry Latrobe narrates the challenges to and triumphs of America's first professionally trained architect and engineer.
The 161 drawings, sketches, and watercolors in the volume cover a wide variety of subjects: rivers, roads, bridges, canals, towns, flora and fauna, people in their homes and at work and play.
Winner of College Art Association’s Wyeth Foundation for American Art Publication Grant Epic Landscapes is the first study devoted to architect Benjamin Henry Latrobe’s substantial artistic oeuvre from 1795, when he set sail from Britain to Virginia, to late 1798, when he relocated to Pennsylvania. Thus, this book offers the only extended consideration of Latrobe’s Virginian watercolors, including a series of complex trompe l’oeil studies and three significant illustrated manuscripts. Though Latrobe’s architecture is well known, his watercolors have received little critical attention. Epic Landscapes rediscovers Latrobe’s watercolors as an ambitious body of work and reconsiders the close relationship between the visual and spatial sensibility of these images and his architectural designs. It also offers a fresh analysis of Latrobe within the context of creative practice in the Atlantic world at the end of the eighteenth century as he explored contemporary ideas concerning the form of art for Republican society and the social impacts of revolution.
Benjamin Henry Latrobe was a man of extraordinary talents - and high standards. One of the first professional architects in the United States, British-born Latrobe made his mark on America with his insistence on function as well as form. Among his most recognizable achievements are the central portion of the U.S. Capitol, the east and west wings of the White House, and Ashland, the home of Henry Clay. Here, in this short-form book by historian Marshall B. Davidson, is Latrobe's remarkable story.
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Through examinations of internationally-renowned architects, Bradbury demonstrates that Sir John Soane’s influence has been truly international in the pre-modern era, reaching throughout the British Isles and beyond to North America and even colonial Australia. Through his inclusion of select, detailed case studies, Bradbury contends that Soane’s is a continuing, not negated, legacy in architecture.