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Invoking theories of popular culture, film, literature, drama, and tourism, contributors probe the emotional attachment and loyalty of many generations of readers to L.M. Montgomery's books.
This book offers new critical approaches for the study of adaptations, abridgments, translations, parodies, and mash-ups that occur internationally in contemporary children's culture. It follows recent shifts in adaptation studies that call for a move beyond fidelity criticism, a paradigm that measures the success of an adaptation by the level of fidelity to the "original" text, toward a methodology that considers the adaptation to be always already in conversation with the adapted text. This book visits children's literature and culture in order to consider the generic, pedagogical, and ideological underpinnings that drive both the process and the product. Focusing on novels as well as folk...
Years before she published her internationally celebrated first novel, Anne of Green Gables, L.M. Montgomery (1874–1942) started contributing short works to periodicals across North America. While these works consisted primarily of poems and short stories, she also experimented with a wider range of forms, particularly during the early years of her career, at which point she tested out several authorial identities before settling on the professional moniker "L.M. Montgomery." A Name for Herself: Selected Writings, 1891–1917 is the first in a series of volumes collecting Montgomery’s extensive contributions to periodicals. Leading Montgomery scholar Benjamin Lefebvre discusses these so-...
The original essays in Anne's World offer fresh and timely approaches to issues of culture, identity, health, and globalization as they apply to Montgomery's famous character and to today's readers.
Henri Lefebvre and the Spanish Urban Experience is the first book to thoroughly apply the French urban philosopher's thought on cities to the culture and literature of Spain. Fraser shows how Lefebvre's complex view of the city as a mobile phenomenon is relevant to understanding a variety of Spanish cultural products--from urban plans and short writing on the urban experience during the nineteenth century to urban theories, cultural practices and literary fiction of the twentieth century, pushing on to interrogate even the appearance of Mediterranean space and Barcelona in recent video games.
This book collects a sample of fifty poems by L.M. Montgomery originally published in periodicals across a quarter of a century. It discusses this work in the context of early Canadian poetry and North American periodical culture of the late-nineteenth and early-twentieth centuries.
Theories of the city have been fundamental to the development of modernism and postmodernism, and are increasingly important in the fields of cultural studies and visual culture. Jenny Bavidge focuses on the work of three leading city theorists - Benjamin, Lefebvre and de Certeau - whose work represents key schools of thought or emphases within the areas of cultural geography, urban studies and spatial theory. Theorists of the City is essential reading to further explore issues of locality, social space, architecture and urban aesthetics; key ideas discussed through the work of these three thinkers include: flaneurie situationism psychogeography heterotopia.
Originally published in the early 1950s, The Scalpel, the Sword celebrates the turbulent career of Dr. Norman Bethune (1890-1939), a brilliant surgeon, campaigner against private medicine, communist, and graphic artist. Bethune belonged to that international contingent of individuals who recognized the threat of fascism in the world and went out courageously to try to defeat it. Born in Gravenhurst, Ontario, Bethune introduced innovative techniques in treating battlefield injuries and pioneered the use of blood transfusions to save lives, which made him a legend first in Spain during the civil war and later in China when he served with the armies of Mao Zedong in their fight against the invading Japanese. He is today remembered amongst the pantheon of Chinese revolutionary heroes. In Canada Bethune’s strong left-wing views made him persona non grata, but this highly readable and engaging account has helped to sustain the memory of a great man.
Originally published in 1962, The Silence on the Shore is considered by many critics to be Hugh Garners best, most ambitious novel. Truly, in the person of Grace Hill, the landlady of the Toronto rooming house where most of the books events take place, Garner has created a fictional character never to be forgotten. Grace is a middle-aged snoop and an overweight nudist whose sexual release comes from watching wrestling matches at a hockey arena that is a thinly disguised Maple Leaf Gardens. Around Grace orbit her various boarders: alcoholic Gordon Lightfoot; Walter Fowler, an aspiring writer whose marriage has just broken up; Aline Garfield, a fundamentalist Christian grappling with various urges and torments; a Polish refugee woman; and a colourful cast of others whose lives intersect in drama that arises from arbitrary or coincidental encounters. According to scholar John Moss, the book is the best realistic novel of Canadian city life yet to be written.